ADAM PEARSON INSISTS his acting career started as something of a joke. It was 2013, and he had just received an email about a casting call from Changing Faces, a U.K.based nonprofit he had worked with that is dedicated to helping people with visible differences on the face, hands, or body. A film called Under the Skin, to be directed by Jonathan Glazer, was looking for an individual with facial disfigurement to play a part. Pearson, who has neurofibromatosis type 1, a condition that produces benign skin tumors all over his face, certainly fit the bill. But he had never acted before and had no intention of doing so. "Let's waste someone's time for a while," he remembers thinking as he sent off his CV.
Then he was asked to record a short video. "Next thing you know," he says, "you're in Glasgow with Scarlett Johansson wondering what the hell has happened."
Quite a bit has indeed happened since then. "I came in hot and high and wildly unprepared," Pearson says about doing Under the Skin, but his scenes in Glazer's moody sci-fi thriller, in which Johansson's human-harvesting alien picks him up and later sets him free, were probably the most memorable moments in one of 2013's most acclaimed films.
(Much of their dialogue, it should be noted, was improvised.) Since then, Pearson, who at the time was helping cast reality-TV shows, has hosted a number of TV specials and appeared on a variety of other programs, often as an activist for greater visibility and rights for the disabled.
Now, he has what is certainly his biggest role to date as one of the stars of Aaron Schimberg's A Different Man, a noirish, existential comedy that was one of the breakout titles at this year's Sundance Film Festival and will be released by A24 in September, right at the start of awards season.
Denne historien er fra August 26 - September 08, 2024-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra August 26 - September 08, 2024-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten