THE MOVIE PRODUCER LIVES ON A QUIET cul-de-sac above Beverly Hills, close enough to the action to see office towers, far enough away to run into the occasional mountain lion. Beverly Grove Place winds into a canyon shaded by eucalyptus trees; the neighbors are entrepreneurs, hedge-fund investors, heiresses, studio executives, actors, and the actors' agents. Their multimillion-dollar homes, like the producer's, have high gates and plenty of cameras.
One such home, a four-bedroom, sixbathroom at the end of a long driveway, is even more hidden than most. It had been on the market, sitting empty for months, when, in October, the producer spotted a car in the driveway. He didn’t think anything of it until more started showing up almost nightly. They clogged the narrow road, blocking the producer’s Bentley. Then heavy bass began pumping from the backyard pool area every night, the beat ricocheting around the canyon. People would arrive—tumbling out of Ubers, teetering up from the base of the street. Early one morning, two young-looking women in spaghetti straps carrying sparkly little purses rang the producer’s doorbell. “I’m about to climb this ho,” one said, looking at the gate. She pushed her mouth onto his Ring camera to kiss the lens.
People who could afford to buy a house on the cul-de-sac didn’t throw parties like these. After a few weeks, the producer called the real-estate agent on the listing for the empty mansion, 1316 Beverly Grove Place. No one had bought the house, the agent said. Whoever had moved in did not belong there.
Who the fuck are these people, the producer wondered, squatting in the most exclusive Zip Code in America?
Denne historien er fra March 11-24, 2024-utgaven av New York magazine.
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Denne historien er fra March 11-24, 2024-utgaven av New York magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
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Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
