As the camera pans from orchestra to audience in the final scene of Tár, we learn just how far the mighty conductor has fallen. We first met her many indiscretions earlier, as she was preparing to record a complete cycle of Mahler symphonies with the Berlin Phil. Now she finds herself directing a provincial performance of music from a video game, with a giant projection screen behind the orchestra, players wearing click-track headsets and an audience done up in elaborate fantasy cosplay.
In reality, live orchestral performance has found necessary new eyes and ears in recent years thanks to events just like the one we're invited to scoff at in Tár. But does this offer anything to artists beyond boosted revenues? US composer Mason Bates certainly thinks so. His audiovisual guide to the orchestra, Philharmonia Fantastique, uses the same set up and, later this month, will receive its European premiere by the Aurora Orchestra at London's Southbank Centre.
'Orchestras have really locked down a new medium with the projections and the click tracks, Bates tells me from his studio outside San Francisco. I thought it would be really fun to write for it specifically, rather than just seeing them do Home Alone or something every year.'
Philharmonia Fantastique was first performed last spring and recorded by the Chicago Symphony Orchestra, one of the six American ensembles that first commissioned it (the others being Dallas Symphony Orchestra, National Symphony Orchestra, Pittsburgh Symphony Orchestra, San Francisco Symphony and the American Youth Symphony). The 25-minute work comprises a 'concerto for orchestra' with live electronics and a charming animation, projected behind the players, of a two-dimensional 'sprite' who goes on a magical mystery tour of the instruments on stage.
Denne historien er fra April 2023-utgaven av BBC Music Magazine.
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Denne historien er fra April 2023-utgaven av BBC Music Magazine.
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Discovering Donizetti - Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day
Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day. For most people, undertaking a lockdown project meant learning to bake sourdough bread, getting fit with Joe Wicks, or taking up a language. But Professor Roger Parker, the eminent historian of Italian opera and emeritus professor at King's College London, had something far more ambitious in mind. He set about unearthing songs by Gaetano Donizetti - many of which had been lost since the composer's lifetime - and the enterprise turned into a two-year labour of love.
Composer of the month - Bohuslav Martinů - Though the Czech absorbed many influences from his exile abroad, his colourful music was always distinctively his own
The youngest of six, Bohuslav was a sickly child, and his father or older sister often had to carry him the 193 steps up to the tower. He was shy at school, too, though showed an early talent for the violin and gave his first concert at 14. By the following year, the future composer was off to the Prague Conservatoire to take the first, if faltering, steps towards a career in music.
Symphonies Beside the Sea- Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction
Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction. It's a dimension of music-making that once was integral to many a British holiday experience, yet now has all but vanished. The tide went out, you might say, on the professional seaside (or pier, or spa) orchestra many decades ago. In their glory days, though - perhaps a quarter-century on either side of 1900-these ensembles were everywhere, from Bridlington to Eastbourne, New Brighton to Worthing, Blackpool to Bexhill-on-Sea, Cleethorpes to Brighton... the list is astonishing.
Richard Morrison- Do Classical Works About Mortality Reveal More To Us As We Get Older? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise?
As we get older do we respond differently to that vast canon of music dealing with mortality? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise? Or do human beings possess such a flexible sense of empathy that we can relate to virtually any state of mind if it is evoked convincingly enough by a composer?
Do Notes Win Votes? - There are multi-dimensional ways that music is used by political campaigners and their supporters today.
It was a little bit of history repeating when Rishi Sunak announced the UK General Election to the heckling of his political opponents blasting out D:Ream's 'Things Can Only Get Better'.
Västra Karup Sweden
The spirit of soprano Birgit Nilsson is alive and well in the town of her birth, home to a festival dedicated to her memory
Federico Colli
\"At this moment in time we don't need more virtuosi. We need musicians to engage with the philosophy of music
Harmonic Progression
What happens when classical music-style levels of ambition, invention and sheer length are brought to pop? The answer, as Meurig Bowen explains, is Prog Rock
Golden years
Young musicians may be physically fit, but with age come the advantages of wisdom and experience
Sweet Sixteen
As The Sixteen celebrates its 45th birthday, founder Harry Christophers speaks to Andrew Stewart about directing a choral powerhouse
