The National Symphony Orchestra of Ukraine is hiring. Up for grabs are the 15-or-so seats previously occupied by musicians now living in the safety of other European countries. Given the circumstances - and the fact two players volunteered to fight - there could be worse reasons for this recruitment drive. But for trumpeter and deputy orchestra director Roman Oleksiienko, 35, the situation still stings. 'The war has taken some of our best players,' he says. 'I don't mean that the rest of us are bad, but artistically and organisationally it's a challenge.'
Of his colleagues who put themselves forward for active service, one, a violist, was sent to guard a bridge before being drafted into a folk band sent to entertain soldiers on the front line; the other, a tuba player, learned to fire an antiaircraft gun before joining the army reserves. Along with four-fifths of Ukraine's most prestigious orchestra, both are now back in Kyiv, the group fitting rehearsals and performances around frequent rocket attacks.
As he runs through the tour posters that line the walls of his sun-filled office, it becomes clear that orchestra executive director Alexander Hornostai is a man who enjoys a challenge. He grins as he recalls trips to China, Europe and the US that packed dozens of cities into an unfeasibly tight schedule. He appears particularly proud of those he has organised since the full-scale invasion began, starting with a performance at Venice's La Fenice opera house in May last year and followed months later by a tour of western Europe. Today, Hornostai is putting the final touches to plans for the orchestra's 17-night UK tour this autumn. 'We are fighting on the cultural, musical, humanitarian front: no blood, only here,' he says, beating his fist against his heart. 'Our mission is to introduce the rest of the world to the best Ukrainian music and music-making.'
Denne historien er fra September 2023-utgaven av BBC Music Magazine.
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Denne historien er fra September 2023-utgaven av BBC Music Magazine.
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Discovering Donizetti - Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day
Thanks to a two-year lockdown project, nearly 200 previously lost Donizetti songs will now see the light of day. For most people, undertaking a lockdown project meant learning to bake sourdough bread, getting fit with Joe Wicks, or taking up a language. But Professor Roger Parker, the eminent historian of Italian opera and emeritus professor at King's College London, had something far more ambitious in mind. He set about unearthing songs by Gaetano Donizetti - many of which had been lost since the composer's lifetime - and the enterprise turned into a two-year labour of love.
Composer of the month - Bohuslav Martinů - Though the Czech absorbed many influences from his exile abroad, his colourful music was always distinctively his own
The youngest of six, Bohuslav was a sickly child, and his father or older sister often had to carry him the 193 steps up to the tower. He was shy at school, too, though showed an early talent for the violin and gave his first concert at 14. By the following year, the future composer was off to the Prague Conservatoire to take the first, if faltering, steps towards a career in music.
Symphonies Beside the Sea- Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction
Before cinema, the wireless and coach trips cast them adrift, seaside orchestras were once a major holiday attraction. It's a dimension of music-making that once was integral to many a British holiday experience, yet now has all but vanished. The tide went out, you might say, on the professional seaside (or pier, or spa) orchestra many decades ago. In their glory days, though - perhaps a quarter-century on either side of 1900-these ensembles were everywhere, from Bridlington to Eastbourne, New Brighton to Worthing, Blackpool to Bexhill-on-Sea, Cleethorpes to Brighton... the list is astonishing.
Richard Morrison- Do Classical Works About Mortality Reveal More To Us As We Get Older? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise?
As we get older do we respond differently to that vast canon of music dealing with mortality? Is it inevitably true that, as we journey through the decades, we are better able to interpret or empathise with a profoundly death-obsessed masterpiece such as Schubert's Winterreise? Or do human beings possess such a flexible sense of empathy that we can relate to virtually any state of mind if it is evoked convincingly enough by a composer?
Do Notes Win Votes? - There are multi-dimensional ways that music is used by political campaigners and their supporters today.
It was a little bit of history repeating when Rishi Sunak announced the UK General Election to the heckling of his political opponents blasting out D:Ream's 'Things Can Only Get Better'.
Västra Karup Sweden
The spirit of soprano Birgit Nilsson is alive and well in the town of her birth, home to a festival dedicated to her memory
Federico Colli
\"At this moment in time we don't need more virtuosi. We need musicians to engage with the philosophy of music
Harmonic Progression
What happens when classical music-style levels of ambition, invention and sheer length are brought to pop? The answer, as Meurig Bowen explains, is Prog Rock
Golden years
Young musicians may be physically fit, but with age come the advantages of wisdom and experience
Sweet Sixteen
As The Sixteen celebrates its 45th birthday, founder Harry Christophers speaks to Andrew Stewart about directing a choral powerhouse
