
The work
World War I had been raging for less than a year when Rachmaninov's All-Night Vigil was premiered on 23 March 1915 (or 10 March, according to the pre-Revolutionary Russian calendar). The all-male voice Moscow Synodal Choir, presenting a charity concert in aid of the war wounded, had been given special permission to perform the work in Moscow's Great Hall of the Noble Assembly. With nationalist feelings running high and the public's appetite for Orthodox Church music growing, Rachmaninov's a cappella masterpiece was a hit; within a month, the choir gave four further performances. As Rachmaninov confessed some years afterwards, the Synodal Choir's performance 'gave me an hour of the happiest satisfaction... the magnificent Synodical singers produced any effect I had imagined, and even surpassed at times the ideal tone-picture I had had in my mind when composing this work.
Denne historien er fra April 2023-utgaven av BBC Music Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra April 2023-utgaven av BBC Music Magazine.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på

Look back in anguish
Despite Korngold's denials, there is much to suggest that his Symphony in F sharp is a grim depiction of the dark days of Nazism, argues Jessica Duchen

Come again?
If something is worth hearing once it's worth hearing again, explains Rebecca Franks, who charts a history of the use of echoes in music

THE BBC MUSIC MAGAZINE INTERVIEW
Music by women and composers of colour is not a separate set of pieces from the ones we know

A brilliant melting pot of discoverable works
Erik Levi enjoys Patricia Kopatchinskaja and friends' eloquent performances of lesser-known works by exiled composers

Pierre Boulez
Tom Stewart celebrates a composer, conductor and musical iconoclast for whom breaking from tradition was not an option but a must

Vienna's cacophonous concert ends to the sound of slapping
‘Fighting at a Schoenberg concert.

Molto humoroso
Cartoonist and broadcaster Gerard Hoffnung lampooned the world of classical music with splendid affection and wit, writes Andrew Green

There and back again
With retrospectives on album and in concert this month, Oscar-winning composer Howard Shore reflects on his years in Middle-earth and tells Michael Beek why he has a lot to thank the LPO for...

THE MAGNIFICENT SEVEN Pick a theme... and name your seven favourite examples
Composer-conductor Odaline de la Martinez prizes tempo, swing and bounce in her top rhythmic works

Crystal clear with plenty of punch
The great is, they say, the enemy of the good, and that is certainly the case with David Sanger’s interpretation of Vierne’s Organ Symphony No. 1, which stands head and shoulders above a strong field of alternative versions.