
Our story begins one ass-freezing night in January 1974, in the soundproofed basement of The Wick, a splendid Grade 1-listed Georgian townhouse in Richmond, London designed in 1775 for Lady St Aubyn. Two centuries later its owner was 26-year-old coolas-fuck Rod Stewart/Faces guitarist Ronnie Wood, hawk-nosed member of a new English aristocracy: old-money rock stars.
At the time he bought The Wick, in 1971, Woody was coddled in cash from the doublewhammy success that year of Rod's Maggie May solo single and Every Picture Tells A Story album both going to No.1 in Britain and America simultaneously. Ronnie played guitar and bass on both and cowrote the title track to Every Picture. He bought it for a suitcase of cash and began filling the basement with recording equipment. "I didn't do it with any sort of plan," he later told me. "It started with somewhere to put my guitars, then a piano, pool table, some drums..."
With time to kill until the start of a Faces Japanese tour, Woody spent the first weeks of 1974 corralling every muso that wound up at The Wick with a joint in their hand to help come up with material for his own forthcoming solo album, I've Got My Own Album To Do. Chief among them was Rolling Stones guitarist Keith Richard (still sans 's' back then). Keith and his 'old lady', the witchy Anita Pallenberg, had moved into The Wick's coach house. Busted for drugs and guns at their Chelsea abode the previous summer, Richard was convinced "the cops were out to get me", after the judge gave him an unexpectedly lenient sentence of a £250 fine. Woody's coach house "was a good hideout". Other basement regulars included Mick Jagger, George Harrison, Eric Clapton, Rod Stewart, David Bowie, Ringo Starr, Mick Taylor, and various other 'vibemerchants' such as rising acting star John Hurt and the crew from Monty Python. "Before any of us knew it we'd be up for days drinking, getting stoned and making music," Ronnie recalled with a beaky grin.
Denne historien er fra December 2024-utgaven av Classic Rock.
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Denne historien er fra December 2024-utgaven av Classic Rock.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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BORN TO RUM
Dragging traditional folk into the rock sphere while on the precipice of international stardom, The Pogues looked like a chaotically ramshackle and dysfunctional unit in the mid-80s with second album Rum, Sodomy & The Lash. In reality they were a resolutely determined hard-working band.

THE VAGABONDS RETURN
With the release of Thin Lizzy's new Acoustic Sessions, with Phil Lynott's 70sera vocals, guitarist Eric Bell and producer Richard Whittaker tell us about grassaddled sessions, unfinished business and why this project definitely isn't Al.

"I WANTED A GROUP WITH GRIT.EXCITEMENT AND EDGE"
Between two spells with Deep Purple, singer lan Gillan led two of his own bands, with great success. Here he looks back at Gillan, and how intra-band friction tore that group apart.

KILLERS, BEASTS, SLAVES, SONS. SOULS...
With Iron Maiden celebrating their 50th anniversary this year, we talk to all the members of the band and look back over the successes, trials, tribulations, thrills, spills and genre-defining records of the longest-running and arguably greatest heavy metal band of them all.

“LIKE HAVING A BRICK WALL COMING AT YOU!"
In 1974 King Crimson released Red, one of their most underrated albums at the time. On its 50th anniversary, Crimson alumni discuss the continued allure of an album

Ricky Warwick
The Almighty frontman on his new solo album, digging Northern soul, his good work ethic, quitting drinking...

Shaman's Harvest
They've come through life-changing adversity. They know how to party. They're finally coming over here...

Last Train
With album number three they're hoping to pull into stations outside their native France.

The Knack My Sharona
The LA band's stuttering rocker with the dirty m-m-mind, about someone who for co-writer Doug Fieger was \"love at fist sight\", was one of the biggest hits of 1979.

SONGS OF INNOCENCE, SONGS OF EXPERIENCE
Moving to a new studio, and with band members taking on new roles, with their new album The Manic Street Preachers continue to innovate and experiment.