Kerry King wasted no time in getting back on the horse after his band, thrash metal juggernauts Slayer, called it a day in 2019. “I had a few months off, and that was enough for me,” says the guitarist. “I’ve had a long career, and I’m a lot closer to the tail end of it, so any time wasted is lost time.” The fruit of his recent labours is his vicious debut solo album From
Hell I Rise, a record that won’t disappoint Slayer fans. That band’s unexpected reunion is off-limits today – a publicist sits in on our conversation to make sure – but King still has plenty to say about religion, politics and his late bandmate Jeff Hanneman.
Was there any grand plan behind the solo album, or is this just what comes out every time you pick up a guitar?
Every time you go in with an agenda, nine times out of ten you’re not going to achieve it. For me it’s just sitting down with a guitar and a phone to record it on.
It’s instantly recognisable as an album by the guitarist from Slayer. Was it tempting to step out of that comfort zone and make, say, a prog-metal record or pull a Load/Reload-style left turn?
No. I’m a fan of metal, and luckily I get to write my own. And it just so happens that I’m good at this. If there was ever a point in time to try that, this would have been it, but I don’t have that desire.
Did you get people you hadn’t heard from in years saying: “Hey, I hear there’s a vacancy in your band…”
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Denne historien er fra June 2024-utgaven av Classic Rock.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Bright Sparks - Undertakers, band managers and museum workers by day, pop-charged rockers by night, The Hot Damn! are a gang you'd want to join.
Gill Montgomery has come straight from the mortuary. Her mortuary, to be precise. Some rockers wait tables, others teach music or pick up temp work. The Hot Damn! frontwoman looks after dead people.“It’s interesting,” she muses, of her day job running a funeral home in South East London. “It’s very hands-on. I think you’re either for it or you’re not.”
Motörhead
“Once we'd cracked the formula of how to work together on Overkill,\" said Eddie Clarke, that's when we really started to take off.” And it was all thanks to Phil Taylor's new drum kit.
LET'S DANCE
Dialling back on the aggressive approach that has helped bring Idles this far, and putting swing to the stomp, their new album is intended to make you shake a leg rather than a fist
Steve Hackett
The former Genesis guitarist’s latest themed’ tour enables him to visit the best of both worlds”.
Monster Magnet
“It's all-energy. It's rock excitement, psychedelic glory and space-rock hooks.” Sounds good to us!
MADE FRIENDS.INFLUENCED PEOPLE
In the 90s they were high flyers, then the fall hit them hard. Having picked themselves up, Terrorvision are back with their first new album in more than a decade, and it’s full of top tunes.
DON'T FENCE US IN
Embracing their roots on record for the first time, Don't call us southern” band The Cold Stares’ seventh album is both a love letter to Kentucky and a Call for unity in volatile times.
"I JUST WANTED TO BE RESPECTED FOR BEING IN A KICKASS BAND."
1976 was a pivotal year for Thin Lizzy. Guitarist Scott Gorham, one half of the band's classic twin-guitar sound, takes a trip down memory lane to the year that was...
Jerry Cantrell
The Alice In Chains guitarist on his forthcoming album and its guests, songwriting, AT, algorithm bots, AIC’s legacy...
THROUGH THICK AND THIN
In 1976, Thin Lizzy were touring Jailbreak in the US and were breaking big. Then disaster struck. Band manager Chris O'Donnell details the roller-coaster year in which they were cruelly robbed of their American dream.
