PROLIFIC IS NOT the word we use to describe David Gilmour, at least not when it comes to putting out music. His new album, Luck and Strange (Sony), comes nearly nine years after its predecessor, Rattle That Lock, which likewise ended a nine-year wait (although to be fair, heâd been working on the posthumous Pink Floyd set The Endless River, which came out the year before). Gilmourâs never been one to crank âem out, of course, and since Floydâs final tour, in 1994, heâs given us just three studio sets.
âI donât have a huge ambition any more,â Gilmour, now 78, told us during the Rattle That Lock campaign. âIn past years there was a lot of thinking about the career and wanting to achieve success. Itâs sort of turned into something more calm and less ambitious in my later years. Iâll get round to doing something again before too long, I hope, but I have no idea. I havenât planned anything.â
Fair enough, but weâd like to disagree with the âless ambitiousâ part. When Gilmour does put something out, it is the product of great ambition and invention, and of a good deal of work thatâs gone on even before he and his team of choice get into the studio. It perhaps hasnât produced a substantial amount of music over the years, but itâs always resulted in work thatâs vital and compelling, something new and interesting each time.
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