A FUNNY THING HAPPENED to Goose over the past two years. Following the release of their second album, A 2021's Shenanigan's Nite Club, the Connecticut-based quintet transitioned from underground darlings to something close to mainstream stars, headlining major venues like Red Rocks and Radio City Music Hall while appearing on network shows such as Jimmy Kimmel Live and The Tonight Show With Jimmy Fallon.
Since their formation in 2014, Goose have described themselves as an "indie-groove" outfit, but to their loyal - and rapidly growing - legion of fans, the group's inventive mix of folk, jazz, trance and progressive rock has placed them firmly in the lineage of premier jam bands like Umphrey's McGee and Phish.
So which is it? Are Goose a jam band, or are they something else? Guitarist singer and founding member Rick Mitarotonda is of two minds. "I don't try to hold any idea that we're not a jam band," he says. "We are most certainly a jam band. We improvise a whole lot, so yeah, we're a jam band. On the other hand, I don't feel qualified to render an opinion, because when you make something, your perspective is skewed."
He pauses and laughs. "We're just doing what we do, and we chase what we hear."
If playing long songs with lots of solos was the only qualifier for jam-band status, then Goose which includes bassist Trevor Weeks, drummer Ben Atkind, percussionist Jeff Arevalo, and guitarist-keyboardist Peter Anspach - have all the right stuff. From the start, however, they made it clear that they were interested in something more. As an instrumentalist, Mitarotonda can spin a sprawling yarn like nobody's business, but his solos - lyrical, emotive, fleet without being mathy - have an accessible flair. And the band also has a distinctive and welcome knack for writing strong, hook-filled songs carried by Mitarotonda's hearty vocals.
Denne historien er fra May 2023-utgaven av Guitar Player.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra May 2023-utgaven av Guitar Player.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
How I Wrote..."Year of the Cat"
AI Stewart reflects on his beguiling hit, some 10 years in the making.
UAFX
Teletronix LA-2A Studio Compressor
LINE 6
POD Express
MAN OF STEEL
He brought the Dobro to centerstage with his dazzling talent. As he drops his first album in seven years, Jerry Douglas reflects on his gear, career and induction in the Bluegrass Hall of Fame.
HIGH TIME
The new MC5 album took more than 50 years to arrive. The band members have all passed on, but the celebration is just beginning.
58 YEARS OF GUITAR PLAYER
As Guitar Player moves full-time to its online home, we look back at some of its greatest stories in print.
DRAGON TALES
In a Guitar Player exclusive, Jimmy Page sheds light on the amplifiers behind his Led Zeppelin tone and how they live again in his line of Sundragon signature amps.
CLOSER TO HOME
Rehearsal space, studio, vessel and abode Diego Garcia's boat is the home base for his new album, as well as his musical life as the seafaring Spanish guitarist Twanguero.
Funk Noir
With The Black Album, Prince made his greatest-and most infamousmusical statement.
Medium Cool
Striking the middle ground between its Thinline brethren, Gibson's ES-345TD remains a versatile, if underrated, gem.