A FUNNY THING HAPPENED to Goose over the past two years. Following the release of their second album, A 2021's Shenanigan's Nite Club, the Connecticut-based quintet transitioned from underground darlings to something close to mainstream stars, headlining major venues like Red Rocks and Radio City Music Hall while appearing on network shows such as Jimmy Kimmel Live and The Tonight Show With Jimmy Fallon.
Since their formation in 2014, Goose have described themselves as an "indie-groove" outfit, but to their loyal - and rapidly growing - legion of fans, the group's inventive mix of folk, jazz, trance and progressive rock has placed them firmly in the lineage of premier jam bands like Umphrey's McGee and Phish.
So which is it? Are Goose a jam band, or are they something else? Guitarist singer and founding member Rick Mitarotonda is of two minds. "I don't try to hold any idea that we're not a jam band," he says. "We are most certainly a jam band. We improvise a whole lot, so yeah, we're a jam band. On the other hand, I don't feel qualified to render an opinion, because when you make something, your perspective is skewed."
He pauses and laughs. "We're just doing what we do, and we chase what we hear."
If playing long songs with lots of solos was the only qualifier for jam-band status, then Goose which includes bassist Trevor Weeks, drummer Ben Atkind, percussionist Jeff Arevalo, and guitarist-keyboardist Peter Anspach - have all the right stuff. From the start, however, they made it clear that they were interested in something more. As an instrumentalist, Mitarotonda can spin a sprawling yarn like nobody's business, but his solos - lyrical, emotive, fleet without being mathy - have an accessible flair. And the band also has a distinctive and welcome knack for writing strong, hook-filled songs carried by Mitarotonda's hearty vocals.
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Denne historien er fra May 2023-utgaven av Guitar Player.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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PRS
PREVIOUSLY PART OF PRS's Maryland-built guitar line, the SE NF3 was recently reissued in the company's offshore-produced SE series. The SE NF3 is so named for its Narrowfield Deep Dish (a.k.a. DD) \"S\" pickups. These unique PRS-design units have deeper bobbins to accommodate more windings and extra metal pieces between the magnets to yield a more powerful \"single-coil\" tone, while remaining noise-free because they are in fact humbuckers. A control set consisting of master volume, tone and a five-way blade switch allows the usual selections of bridge, middle and neck pickups by themselves and the neck-plus-middle and bridge-plus-middle combinations that allow the SE NF3 to veer into Strat-like territory in switch positions two and four.
EPIPHONE
Inspired by Gibson Custom 1963 Firebird V and 1959 ES-355
Dobro 101
A look at the iconic bluegrass slide box.
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MASTER OF HIS OWN JOURNEY
For more than 50 years, David Lindley graced albums and concert stages with his singular talent on a vast range of stringed instruments. In this Guitar Player exclusive, his musical friends — including Jackson Browne, Ry Cooder and Bonnie Raitt - pay tribute to an original.
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Luther Dickinson interpreted a priceless work of art in music. In the process, the blues guitarist wrote his own next chapter.
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Together with Tony Levin, Adrian Belew and Steve Vai join forces for a Robert Fripp-endorsed revival of King Crimson's groundbreaking 1980s music.
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Leading a rock group and being a solo artist were \"not what I asked for,\" David Gilmour says. For Luck and Strange, he assembled a team that shared the weight of his creative efforts. The result? \"The best album I've made since The Dark Side of the Moon.\"
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