GROWING UP AS a die-hard blues-rocker in 1970s South Florida, Scott Henderson fell in love with the sounds of that era's big-name rock guitarists. "Ritchie Blackmore, Jimmy Page, Jeff Beck... I grew up listening to all those guys," Henderson tells Guitar Player. "I mean, your influences stick with you, man. I learned how to play by ear from listening to cats like that, and I don't think you ever lose those roots." A decade later, Henderson would make a name for himself, not as a blues-rocker but as one of the prominent fusion guitarists of the '80s and '90s, carrying on in the tradition of his mentors Jean-Luc Ponty, Chick Corea and Joe Zawinul, all of whom he had toured and recorded with. And while Henderson may have made significant contributions to Ponty's 1985 album, Fables, 1986's The Chick Corea Electric Band and the Zawinul Syndicate's 1988 outing, The Immigrants, it was in the context of Tribal Tech, the hard-hitting funk-fusion band he formed in 1984 with bassist Gary Willis, that his creative juices really flowed and his scintillating virtuosity truly flourished.
Henderson's searing blues-rock roots would eventually bubble up on a series of side projects, including 1994's Dog Party, 1997's Tore Down House and 2002's Well to the Bone. But otherwise, he seldom strayed from his love of jazz and fusion, collaborating with bassist Victor Wooten and drummer Steve Smith on two volumes of Vital Tech Tones fusion recordings and with bassist Jeff Berlin and Dennis Chambers on 2012's HBC, which included revved-up power-trio renditions of Zawinul's "D Flat Waltz," Wayne Shorter's "Mysterious Traveller," Billy Cobham's "Stratus" and Herbie Hancock's "Actual Proof."
Denne historien er fra June 2024-utgaven av Guitar Player.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra June 2024-utgaven av Guitar Player.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
How I Wrote..."Year of the Cat"
AI Stewart reflects on his beguiling hit, some 10 years in the making.
UAFX
Teletronix LA-2A Studio Compressor
LINE 6
POD Express
MAN OF STEEL
He brought the Dobro to centerstage with his dazzling talent. As he drops his first album in seven years, Jerry Douglas reflects on his gear, career and induction in the Bluegrass Hall of Fame.
HIGH TIME
The new MC5 album took more than 50 years to arrive. The band members have all passed on, but the celebration is just beginning.
58 YEARS OF GUITAR PLAYER
As Guitar Player moves full-time to its online home, we look back at some of its greatest stories in print.
DRAGON TALES
In a Guitar Player exclusive, Jimmy Page sheds light on the amplifiers behind his Led Zeppelin tone and how they live again in his line of Sundragon signature amps.
CLOSER TO HOME
Rehearsal space, studio, vessel and abode Diego Garcia's boat is the home base for his new album, as well as his musical life as the seafaring Spanish guitarist Twanguero.
Funk Noir
With The Black Album, Prince made his greatest-and most infamousmusical statement.
Medium Cool
Striking the middle ground between its Thinline brethren, Gibson's ES-345TD remains a versatile, if underrated, gem.