GT: Do you have a type of pick that you can’t live without?
CM: Not really, I use a standard medium gauge by Dunlop. Most players I know use a heavy pick but I always like to have a bit of flex in my pick.
GT: If you had to give up all your pedals but three, what would they be?
CM: I would have to keep my Hoochie Momma pedal (made by Tim Brown) because it gives me a lot of that old Blues-breakers tone. The other pedal would be the Fulldrive 2 by Fulltone. With that pedal I come to my own area of sound and some of that Albert Collins tone that I really like. And of course I need my tuning pedal.
GT: Do you play another instrument well enough to do so in a band? If so what, and have you ever done it?
CM: Well, I started out as a drummer and I was actually in Albert Collins’ band in the 70s on drums.
GT: If a music chart were put in front of you, could you read it?
CM: Absolutely not! I am self taught!
GT: Do guitar cables really make a difference? What make are yours?
CM: I definitely believe that cables do make a difference. I’ve had some cables that are lacking on the high end, sounding kind of dull. I’ve been using Dunlop for many years and haven’t had a problem.
GT: Is there anyone’s playing (past or present) that you’re slightly jealous of?
Denne historien er fra May 2024-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra May 2024-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
