GT: Do you have a type of pick that you can’t live without?
DM: Nothing that I can’t live without because I never used them until recently. My fingers have taken a beating over the years so I’ve had to adapt and get used to using them. Anything over 1/1.5mm is grand.
GT: If you had to give up all your pedals but three, what would they be?
DM: The one I can’t live without now is the first one I got, a Hawk Boost by Flynn Amps in Scotland. It was given to me by my late friend Gordon Maxwell and my life has never been the same! That just hits the amp like a brick and I love it. Second would be a tuner and third a good overdrive to go with the Hawk, a Big Tweedy driver, or a Blues Driver. There’s no bling on my board!
GT: Do you play another instrument well enough to do so in a band?
DM: Oh yes, I play everything. I’m only allowed guitars in my house now though so that explains why it’s just that for me.
GT: If a music chart were put in front of you, could you read it?
DM: I wish I could say yes but I’m afraid not, it’s a bit like a foreign menu in a restaurant. I’m completely unschooled in how it works on paper, but I can feel the music and that’s always guided me. I’m happy in the way that it doesn’t restrict my free thinking. It’s rare I play a song the same way twice and that keeps me on my toes!
GT: Do guitar cables really make a difference? What make are yours?
Denne historien er fra October 2022-utgaven av Guitar Techniques.
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Denne historien er fra October 2022-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
THE MOODY BLUES
This month Stuart Ryan delves into the picking style of this British prog legend whose acoustic guitar has powered many a Moody Blues song.
WAYNE KRANTZ
This issue Nick Mellor provides an insight into this brilliant jazz stylist, focusing on his approach to improvising over static chords.
OPEN G TUNING
Open tunings are great fun and can help create exciting new ideas. Simon Barnard shows how to incorporate open G tuning into your playing.
RODRIGO GOUVEIA
Last month we featured Mateus Asato, and mentioned the importance of the neo-soul style in his playing. Here we turn to his fellow Brazilian, the master of neo-soul fusion.
MARK KNOPFLER
Our topic this month is a master craftsman as both guitar player and songwriter. His style is unique and his influence spreads far and wide.
U2
Martin Cooper checks out the chiming pedal delay tones of this stadium-filling band from Dublin, Ireland, and guitarist The Edge.
LUTHER ALLISON
It’s blues with a touch of soul this month, as David Gerrish explores the dynamic, expressive style of an often overlooked Chicago bluesman.
JOHANN KASPAR MERTZ Capriccio
This month Declan Zapala explores the music of Austria at the turn of the Romantic period with a fiery caprice to level up your fingers and unlock your inner virtuoso.
THE CROSSROADS Michael Landau
John Wheatcroft explores the playing of a session ace _ and blazing blues-rock maestro who graces the top-flight m band of singer-songwriting legend, James Taylor.
VIDEO MASTERCLASS Troy Redfern
This month GT welcomes this slide guitar virtuoso. If you've been wanting to take your slide playing to the next level then this is one's for you. With Jon Bishop.
