This month we welcome Shane Therio, best-known for his work with Hall & Oates and the TV show Live From Daryl’s House, hosted by Daryl Hall and featuring guest artists like Billy Gibbons and Joe Walsh. He has also toured and recorded with New Orleans legends such as Dr John and The Neville Brothers. For this feature, Jason Sidwell recorded a new piece for him, Bump And Bind. Shane then filmed himself soloing over it and discussed how he approached his performance, highlighting notable aspects of his playing style.
The track starts out in the key of E Minor and there is a pre-recorded riff to navigate. Shane went for a fingerstyle approach, which provided dynamic and intervallic freedom, such as the use of arpeggios and chord tones to navigate around Jason’s riff.
Worthy of note is that Shane tastefully superimposes some colourful chords over the riff in E. He also uses his Boss vibrato pedal which provides his performance with a unique and pleasing timbre.
The pre-chorus section moves to C, and to navigate the changes Shane came up with a motif via singing. Singing ideas can help remove the constraints of fretboard patterns and keep the results musical and relatable. There are many different options of things to play over a track like this, but the big takeaway is to try singing the ideas first. He used this same process for the chorus, which shifts to A Minor. This time he opted for the arpeggios of the chords with which to create his next memorable melody.
Denne historien er fra August 2023-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra August 2023-utgaven av Guitar Techniques.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
PAT METHENY
Nick Mellor offers an insight into the jazz great's 16th-note lines, and his approach to improvising over static Minor and Dominant 7th chords.
MARTIN MILLER
Another fabulous JTC guitarist demonstrates his impressive techniques for us, focusing on an approach called Rythmically Dependent Alternate Picking.
THE KINKS' RAY DAVIES
This month Stuart Ryan takes a virtual trip into to North London to get to grips with the acoustic style of the original Muswell Hillbilly.
STEVE LUKATHER
This month Andy G Jones looks at the fluent soloing style of the LA guitarist who co-founded Toto in 1977 then ruled the 80s session scene.
JEFF HANNEMAN
This month Charlie Griffiths Shows No Mercy as he lays down the gauntlett with five shred licks from Slayer's undisputed master of attitude.
10CC
This month Martin Cooper checks out Eric Stewart and Lol Crème, whose distinctive styles helped give this UK band its unique sound.
T-BONE WALKER
From the heart of Texas to the cool West Coast, join David Gerrish on the journey of this hugely influential electric blues guitar innovator.
FERDINANDO CARULLI Andantino In G (Opus 241)
This month Declan Zapala goes back to basics to explore core classical technique with this emotive miniature by the pioneer of classical guitar playing.
THE CROSSROADS Steely Dan's Mu Chord
This month John Wheatcroft shows us how Donald Fagen and Walter Becker dressed their harmony to the 'nines, as he explores their trademark chord voicings.
GET YOUR MOJO WORKING! 60 Years Of Blues Licks
From the Kings to Jimi and Eric, Blackmore, Stevie Ray, Gary Moore, John Mayer, JoBo and beyond, Jon Bishop introduces six decades of blues guitar innovation.