COUNTRY AS F*** Within the pages of the new record’s accompanying graphic novel, GWAR in the Duoverse of Absurdity, the group find themselves staring into a magic mirror that puts them face-to-face with darker, alternate versions of themselves... The other GWAR is a successful country band.
BACK TO BASICS “I used the least amount of stuff on this record than any other GWAR record I’ve ever made,” Pustulus Maximus says.
GWAR’s NEW DARK Ages album finds the infamously blood-spilling metal monsters dealing with “the specter of rogue technology” the only way they can: goofily and gorily. The album naturally has co-guitarists BalSac the Jaws of Death and Pustulus Maximus cleaving through barbarically brutal riffs, sometimes while vocalist Blothar putridly pontificates on self-mutilation (“The Cutter”). There’s also razor-sharp smartphone satire in the form of “Venom of the Platypus,” where GWAR ask a digital, duckbilled Siri stand-in named Raspy to root out stock tips, free shipping options on sword purchases — and the best place to buy phlegm. The band explains to Guitar World that this is all taking the piss out of us lowly humans for “being led astray by a little 3-inch screen in front of you.” Steel trap-mouthed BalSac elaborates on our folly: “No one uses their brain anymore. Just ask your phone and it’ll tell you what you want to hear, whether it’s the truth or not.
Denne historien er fra October 2022-utgaven av Guitar World.
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Denne historien er fra October 2022-utgaven av Guitar World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
The Return of Tab Benoit
AFTER MORE THAN A DECADE COMMITTED TO THE ROAD, THE LOUISIANA BLUES ARTIST IS BACK WITH A NEW 10-SONG COLLECTION, I HEAR THUNDER
Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
