EVERY GENRE OF music has its signature elements. Extreme metal has its blast beats, pop rock follows the familiar verse-chorus-verse-chorus-solo formula, and hardcore punk uses bludgeoning breakdowns to give momentary respite from its frenetic assault.
But every so often, the exceptions become the rule. When the Baltimore-based melodic hardcore band Turnstile released their breakthrough album Glow On to acclaim in 2021, reaching the top 30 on the Billboard Top 200 albums chart, the dam holding back a new group of outliers in the hardcore scene burst.
The ethos and the attitude haven’t changed empowerment, independence and camaraderie are still central to hardcore music but bands like Drug Church, Scowl, Fiddlehead and Militarie Gun are now bringing a much broader range of stylistic influences to the genre. Citing canonic alt-rock and pop-punk bands like Nirvana and Green Day, not to mention OG pop icons like the Beatles, the new breed of hardcore bands treats boundaries with as much respect as a barricade at a Knocked Loose show.
“[We] came from punk, and punk never really had rules,” says Malachi Greene of Scowl. “You look at the early Gilman scene [in Oakland, California] and you see bands like Op[eration] Ivy or Rancid or any of those bands; they’d be playing with Filth and Neurosis and Green Day. When you come from a melting pot of creativity, it’s gonna come out in some way, shape or form.”
Nick Cogan, who pulls double duty on guitar in Drug Church and Militarie Gun, is more intentional about pulling from a diverse range of influences while avoiding some of hardcore’s most inked-in trademarks.
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Denne historien er fra October 2023-utgaven av Guitar World.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
