JOHN PETRUCCI MAKES no bones about it: He loves to tour. If he’s not in the studio, he’s always hot to hit the road, be it with Dream Theater or as a long-running guest on one of Joe Satriani’s G3 excursions. “Live performance is something I can’t get enough of,” he says. “Making a record is one kind of thrill, and it’s something I take very seriously and find a lot of joy in. But for me, nothing replaces the magic of bringing my music to audiences. There’s just no substitute for it.”
Shortly after completing the first leg of Dream Theater’s Top of the World tour this past spring (dates that had to be rescheduled twice due to the Covid pandemic), Petrucci got the road itch again. But the tour he’s embarking on this fall differs from anything he’s ever done before. This time he’s taking the stage as a solo artist. “It’s something I’ve thought about for a long time,” he says, “but there was never room in the schedule because Dream Theater is always so busy.” He also admits it wasn’t until recently that he felt as if he had enough of his own material to fill a solo set. “There was a 15-year gap between my first album [2005’s Suspended Animation] and my second one, Terminal Velocity, so it took a while for me to feel like I had enough of my own music to do a whole show,” he says. “With Dream Theater not doing anything in the fall, I looked at the break and said, ‘OK, if there was ever a time to do this, it’s now.’”
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
