SEVEN DUST rhythm guitarist John Connolly was loving the sound of the band’s Truth Killer album as they were tracking it in Florida last summer. It’s easy to understand why; the veteran Atlanta hard rockers’ 14th full-length consistently brings the boom through a series of chunked-out, darkly detuned progressions. But the guitarist also recalls one particular moment — a couple of days after he’d locked in a bombastic, inverted bend motif for the record’s “Love and Hate” — where things got a little weird. As bassist Vince Hornsby began laying down the low end for producer Michael “Elvis” Baskette, a bewildered Connolly noticed the piece had accidentally devolved into a tonal nightmare.
“I walked in and was like, ‘Why does this sound…off?,’” Connolly tells Guitar World. “They couldn’t get the bend; something about being down that low just wasn’t connecting. So I played the riff on my guitar, and they were like ‘Ohhhhhh!’ The bass was just [tuned] a half-step off, but I was having an aneurysm listening to it.”
“The menacing sound of that bend is such a big Sevendust thing to me,” lead guitarist Clint Lowery says of “Love and Hate,” though he reveals that the song had been on the chopping block before the group perfected its powerfully percussive edge — and pitch. “It’s got this really simple, Alice in Chains, chromatic, one-fret [descension]. That Jaws kind of energy goes a long way.”
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Denne historien er fra September 2023-utgaven av Guitar World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Kittie - Guitarists Morgan Lander and Tara Mcleod discuss the canadian metal powerhouse's unexpected rebirth — by fire!
Guitarists Morgan Lander and Tara McLeod explain that making new music was “not on their bingo card” when the band regrouped in 2022 for a few festival appearances, preferring to think of the sets as more of a “final lap” than a new beginning. But drilling into old favorites — whether the nu-flavored teenage slams of 1999’s Spit or the more venomously groove-thrashed tunes of their late-’00s period — revealed that despite not having raged together in years, there was something undeniably special about Kittie’s musical connection. “Playing with these girls is like putting on an old pair of pants,” Lander says. “It’s very comfortable — and it looks good too.”
McKinley James - Why all you really need is a guitar, a drummer and some serious low-end six-string skills
Nashville-based blues rocker McKinley James came flying out of the gate in 2022 with his Dan Auerbachproduced EP, Still Standing By. His momentum screeched to a halt, however, when his keyboardist split, leaving only him and his drummer, Jason Smay (who also happens to be his father). “For a moment, I was like, ‘What are we going to do?” James says. “But then I thought, ‘Well, other bands have succeeded as a duo. Maybe we can, too.”
TC Electronic TC 2290P Dynamic Digital Delay
THE MID EIGHTIES was a golden age for digital delay, thanks to the proliferation of pro- and studio-quality rack effects units from Eventide, Korg, Lexicon, Roland and Yamaha.
Danelectro Doubleneck
WHEN I THINK back to the Seventies, the famously coined “Me” decade, it seems the only surefire way you could leave audiences awestruck was to strap on a doubleneck guitar.
CARLOS ALOMAR
The former David Bowie guitarist talks Young Americans, Station to Station and the Berlin Trilogy, plus recording (and co-writing) \"Fame\" with John Lennon
GEORGE TERRY
It turns out Eric Clapton's Seventies guitarist (and co-writer of \"Lay Down Sally\") also played on ABBA's \"Voulez-Vous.\" Below, he looks back on a decade-plus of E.C., Bee Gees, Diana Ross and more
FRANK MARINO
The Mahogany Rush frontman charts the band's Seventies lows and highs, plus SG's, pickups and how he was definitely not visited by the ghost of Jimi Hendrix
DEWAYNE "BLACKBYRD" MCKNIGHT
The jazz/funk/fusion veteran on his smooth segue from Herbie Hancock sideman to full-on Funkdaledic member -plus his '70s gear and what he learned from Shuggie Otis
PAT TRAVERS
The Canadian-born virtuoso discusses the rise and fall of the Pat Travers Band, witnessing the U.K. punk revolution and the riotous roots of \"Snortin' Whiskey\"
JOE PERRY
The iconic guitarist looks back on Aerosmith in the Seventies, the decade that literally made and temporarily broke apart those Bad Boys from Boston
