BEING A MUSICOLOGIST is like being a detective, especially when you’re tracking the artifacts of legendary performers who have passed. You research not in musty libraries but often in conversation with the survivors and cohorts of genius, following leads that take you down sonic wormholes and cultural tributaries. I’ve always compared digging up the truth about a legend like Jimi Hendrix to the journalist in Citizen Kane who searches for his quarry’s Rosebud. It’s like foraging for runes in the Great Pyramids, except instead of sarcophagi, you dig up priceless Stratocasters, rare minutiae of photographs and sagas of performances long since silenced.
That’s how it went when I interviewed the disc jockey who brought Jimi Hendrix and Leonard Nimoy together — and also when I spoke with Spock before he passed. I was working on a chapter of my forthcoming book, Hendrix Now! Backstory of a Legend, in 2015 and things were going well. I got my first chapter written about Jimi’s days in the Village in New York City, where I encountered him for the first time and we sat on a stoop on MacDougal Street comparing notes about blues records; I was set to begin the book’s second chapter. As I announced giddily in the final hours of a Kickstarter campaign for the book, Nimoy had been in touch and asked for some guidelines from me so that he could write something apropos for the book’s foreword. And then that February… Spock left the planet. I was distraught, not only for the loss of a hero and friend but because Leonard’s passion had left such a huge hole in my universe, a terrible disturbance in the Force.
Denne historien er fra December 2022-utgaven av Guitar World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra December 2022-utgaven av Guitar World.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
THE JESUS LIZARD
Duane Denison tells you everything you need to know about his gear, trying to sell Steve Howe a guitar in the Seventies and oh, yeah! - 2024's Rack, the Jesus Lizard's first new studio album in 26 years
MATTEO MANCUSO
The Italian jazz-shredder on social media, his love of the Yamaha Revstar and the advice given to him by Steve Vai
GRACE BOWERS
After a \"whirlwind\" year, the 18-year-old sensation discusses her love of SGS, inspiring a new generation of female guitarists, and how she's more than just a blues player
THE GUITARISTS OF THE YEAR
GUITAR WORLD'S EDITORS AND WRITERS SELECT 2024'S GAME-CHANGERS AND TASTEMAKERS
OUR FAVORITE GEAR OF THE YEAR
THERE WAS AN ONSLAUGHT OF NEW GUITAR PRODUCTS RELEASED OVER THE PAST 12 MONTHS. HERE ARE THE ONES THAT HAD US ALL TALKING
NEWS OF THE (GUITAR) WORLD
SIT BACK AND GET READY TO RELIVE THE BIGGEST, BADDEST AND DOWNRIGHT CRAZIEST GUITARCENTRIC HEADLINES OF 2024
The Courettes
A PAIR OF FUZZ-TINGED GARAGE ROCK MANIACS EXPAND THEIR SOUND AND THE RESULTS ARE EXQUISITE
Within the Ruins
JOE COCCHI REVISITS HIS CLASSIC PHENOMENA TONE (AND A COUPLE OF COMIC BOOKS) TO CRUSH THROUGH A SUPERHEROIC SEQUEL
The Bad Ups
PHILADELPHIA PUNKS LOAD UP WITH PAINT-PEELING POWER CHORDS ON THEIR DEBUT ALBUM
The Return of Tab Benoit
AFTER MORE THAN A DECADE COMMITTED TO THE ROAD, THE LOUISIANA BLUES ARTIST IS BACK WITH A NEW 10-SONG COLLECTION, I HEAR THUNDER