Headless guitars have risen phoenix-like from the ashes in recent years. They came to prominence in the 1980s when the heavy through-neck slabs of cocobolo and brass that characterised guitar design in the late 70s fell from favour, and the whiff of patchouli oil that lingered around rock music went with them. The age of the synth had begun and, suddenly, rockstars were more likely to wear Armani suits than kaftans. Headless instruments by companies such as Steinberg, Yamaha and Warwick seemed to fit this clean-lined new aesthetic perfectly. They became so much a part of the look of that era that it's easy to forget that pure functionality underpinned those headless designs - such as the use of then-novel materials such as graphite to make necks ultra-stable, while the loss of the headstock and minimalist bodies made lightweight handling effortless.
The stronger a look, however, the more tied it is to the era that gave birth to it. Headless guitars had a long stint away from the limelight after the 80s and it's only now, some 40 years on, that they seem to be having something of a resurgence - and a lot of that may be down to the efforts of Ola Strandberg, the founder of Swedish guitar maker.strandberg*, to make players look afresh at them. Scandinavian design is famously good at uniting form and function in an elegant, modernist way. This is certainly true of Ola's guitars, which make few concessions to tradition in their quest for the ultimate in ergonomic playing performance - though they do make some, which is probably key to the maker's success.
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Denne historien er fra July 2024-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more