George Vjestica is part of Nick Cave & The Bad Seeds, having first lent his licks to 2013's Push The Sky Away before coming on fulltime for Skeleton Tree (2016). Considering Cave's restless creative muse and Vjestica's following a player like Mick Harvey, his integration into the Bad Seeds machine is no small feat. But then again, the guitar is as much a part of Vjestica's soul as a tool; just ask him: "It's been a constant in my life since I was nine," he tells Guitarist. "Rarely does a day go by when I don't pick up a guitar and have a play around. There's something so magical for me in those six strings."
He adds: "I felt so sad when Jeff Beck died, and I really got stuck into how he played. I've got a little studio, and I sat in there for about a month trying to figure out his tone and how he used the tremolo. I became obsessed with that track Nadia; I fucking love playing that song just for myself. I can sit in my little shed for hours just playing. There are so many great guitarists and musicians to be inspired by. I could go on forever!"
That willingness to shape-shift has served Vjestica well while playing behind Nick Cave, and also John Squire on his Marshall's House record from 2004. And it's been an asset while aiding in creating atmospheric scores for films such as Proposition (2005) and Lawless (2012). Thinking about how his experiences have shaped him over the years, he says: "I'm more geared towards trying to make my own records these days. It's not just about playing the guitar; that is what has changed the most for me. You have to think about how to produce a track or an album and how it's going to sound musically, lyrically and connect emotionally. Self-indulgence is totally fine. I'm all for self-expression."
What inspired you to pick up the guitar?
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Denne historien er fra July 2024-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more