Gibson SJ-200
Gibson's SJ-200 acoustic guitar first appeared in the 1930s. Around this time, Gibson and Epiphone were going head to head in a size war each trying to outdo the other under the premise bigger is better' while equating instrument dimensions with power, projection and, ultimately, status. This spirit of competition led to several developments, notably Gibson's 18-inch-wide Super 400 and Epiphone's 181/2-inch-wide Emperor. These supersize archtops were deemed flagship models, and both sat at the top of their respective price lists with a $400 tag. Along with the Super 400, Gibson unveiled its Jumbo flat-top (named after the colossal elephant) in 1934 in order to compete directly with Martin's large-body Dreadnought design (named after the gigantic battleship). Also in '34, Gibson's seminal L-5 archtop (which celebrates its 100th anniversary this year) was "Advanced" from 16 to 17 inches in width.
Denne historien er fra February 2023-utgaven av Guitarist.
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Denne historien er fra February 2023-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more
