Not so many years ago, the tone secrets of vintage guitars and amplifiers were closely guarded by a select few. It was an era of mystery, superstition and wonder. Little did we know the internet was coming… It all began with newsgroups and rudimentary chat rooms, and the flow of information soon became a torrent. Schematics of long extinct amps and pedals were unearthed and could be downloaded in mere minutes. The types of tonewoods that great manufacturers once used became common knowledge. Groundbreaking websites, such as GuitarHQ.com, began appearing with paint codes, decent enough photography and breakdowns of features that charted the year by year evolution of most classic guitar models.
This had a profound effect on guitar manufacturing. With better informed customers, the big companies could no longer fob us off with inaccurate features, inauthentic parts and inappropriate finishes. Slowly but surely, then, vintage reissues began to resemble the guitars they were intended to emulate in a meaningful way. And before long, renowned pickup winders were being coaxed out of retirement and company records were dusted off to track down original parts suppliers. Meanwhile, crack teams of razor blade relicers were at the sharp end of the relicing revolution.
But while the big names focused on looks and seductive marketing campaigns, their efforts generally fell short when it came to the pickups. This left a wide-open goal for ambitious pickup manufacturers, who quickly stepped in to make more authentic and often better-sounding replicas than the big brand names and original manufacturers.
Denne historien er fra February 2023-utgaven av Guitarist.
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Denne historien er fra February 2023-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more