Since Dave Grohl made his post-Nirvana debut with Foo Fighters in 1995, there have been multiple eras of his favoured onstage guitars, with the common thread being that they're more often than not an iteration of the classic Gibson dual-humbucker format - from the Les Paul Standards and Customs, Explorers and SGs, to the occasional Firebird. One of the few breaks in this chain came in the early Noughties around the band's fourth album, One By One, where he briefly became associated with his Ampeg Dan Armstrong, temporarily introducing a whole new generation to the revered see-through Lucite model before moving back to his familiar Gibsons.
In 2007 came the biggest constant for Grohl: the Gibson DG-335. It's this guitar that we've seen him playing most often- in fact, pretty much exclusively - since its introduction. Gibson issued it in a limited run of 200 the same year and it's subsequently seen further runs periodically since, including an all-black and a gold version. On the used market, these guitars command high prices (or, at least, high asking prices), with current listings pushing upwards of £15k.
For those of us who can't drop part of a house deposit on a signature guitar, however, comes the Epiphone DG-335. First, there's a little more to the backstory of how an ES-335 came to be the backbone of one of the biggest rock bands in the world.
You might be aware that back in 1992 Dave Grohl was the drummer in another Biggest Band On The Planet. While on tour with Nirvana, he picked up a 1967 Gibson Trini Lopez Standard (Gibson also produced the fully-hollow Trini Lopez Deluxe, which was based on the Barney Kessel). The Standard was ES-335-like in design, but here the semi-hollow body featured diamond-shaped soundholes, split-diamond inlays, a six-in-a-line headstock similar to a Firebird, and the strings were anchored by a trapeze tailpiece, rather than a stopbar.
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Denne historien er fra July 2024-utgaven av Guitarist.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more