SNOOP DOGG & LATTO
Rolling Stone UK|February/March 2024
Two uniquely charismatic rappers, from two different generations, sit down and go deep on their come-up, their studio secrets, the importance of fighting hate with love, and that time Pharrell got too high and left Snoop alone to produce Stevie Wonder
ANDRE GEE
SNOOP DOGG & LATTO

LATTO AND SNOOP DOGG are preparing for their Musicians on Musicians cover shoot at Hollywood's historic United Recording studios, when Snoop shouts out a song he'd like cued up: "Can we turn on that 'Rip me out the plastic, I'm actin' brand-new?""

Latto lets out a yelp like she just won a Grammy, overjoyed that Snoop Dogg knows the opening bars to her single 'Put It on Da Floor'. Though they just met, the two get along like old friends. They rap 'Put It on Da Floor' together, with Latto excitedly ad-libbing. Snoop records a video for Latto's mother (it turns out, he's Latto's mom's "only celebrity crush"). When Latto is about to put her red Solo cup of tequila down for the shoot, Snoop tells her to stay true to herself, and keep it.

That juxtaposition of the glam and the down-to-earth - Latto clad in a GCDS dress and shoes, Laura Lombardi earrings, and a vintage Givenchy necklace while holding a house-party staple points to why the 25-year-old is so magnetic. She's stylish and regal, but she's also got party-starting bangers like 'FTCU', which she and Snoop sing at the top of their lungs during the photo shoot.

As she reveals during her hour-long conversation with Snoop, the Ohio-born, Atlanta-based rapper had been performing in talent shows since she was a child (and won The Rap Game reality show in 2016), which means she was already seasoned when she broke through with 2020's Queen of Da Souf. Mariah Carey (and DJ Khaled) jumped on the remix to her single 'Big Energy' in 2022, helping make it a smash hit, and Latto had her first US Hot 100 number one in 2023 with 'Seven', her collaboration with Jung Kook of BTS. She's on her way towards the stratosphere of stardom, which is why Snoop's advice on navigating fame means so much to her.

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FLERE HISTORIER FRA ROLLING STONE UKSe alt
Sounding the Alert - The UK music industry is calling for the new Labour government to make essential changes to rescue British music - from halting the closure of venues to providing essential opportunities for new talent
Rolling Stone UK

Sounding the Alert - The UK music industry is calling for the new Labour government to make essential changes to rescue British music - from halting the closure of venues to providing essential opportunities for new talent

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Staying Power- As they gave their first performance in the UK for five years, Rolling Stone UK caught up with Bang Chan, Lee Know, Changbin, Hyunjin, HAN, Felix, Seungmin and I.N, who together make up the record-breaking K-pop phenomenon Stray Kids
Rolling Stone UK

Staying Power- As they gave their first performance in the UK for five years, Rolling Stone UK caught up with Bang Chan, Lee Know, Changbin, Hyunjin, HAN, Felix, Seungmin and I.N, who together make up the record-breaking K-pop phenomenon Stray Kids

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Rolling Stone UK

BACK TO THE GRIND

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Rolling Stone UK

THE SCREAM QUEEN NEXT DOOR

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Rolling Stone UK

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Rolling Stone UK

JAMIE XX WAVE AFTER WAVE

Nine years after his decade-defining debut album In Colour, Jamie xx returns with In Waves, a darker and broodier follow-up that saw him fall back in love with making music

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Rolling Stone UK

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On their career-best fourth album, Fontaines D.C. have shed their skin of old to deliver something more fantastical. Grian Chatten tells us the story behind their evolution

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Rolling Stone UK

IN COMPLETE CONFIDENCE

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Collective consciousness
Rolling Stone UK

Collective consciousness

Ezra Collective return with Dance, No One's Watching, the roaring follow-up album to last year's boundary-moving Mercury Prize win

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Rolling Stone UK

DAYDREAM BELIEVER

Welsh techno-pop artist Kelly Lee Owens is the first signing to Dirty Hit's new dance label, dh2. She talks \"transcending my bullshit\" on the euphoric, thumping club tunes of fourth album, Dreamstate

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