THERE ARE CLICHÉD 'difficult second albums', and then there are those where you start almost from scratch. The difficulty with jazz prodigy Nubya Garcia's second LP, Odyssey, came when she decided that this new batch of songs she had written needed the sweeping majesty of a string section, before deciding to learn how to write and conduct it all herself.
"It was a big step," she laughs on a baking hot summer's day in north London, her voice projecting equal amounts of pride and disbelief in how far she pushed herself in learning how to write for strings and then conduct a 12-piece orchestra for the very first time.
"I'm so proud of doing it," she says with a beaming smile of her second album. "That's part of discovering what you're going to make. I didn't write a list and say that these were all the things that I was going to do. The music started coming and flowing out, and within that I started wondering what it would sound like with this section. I subconsciously knew that I wanted strings and the epic, cinematic sound that they're associated with, but I just hadn't named it yet."
After getting her start on the violin ("I hated it!"), Garcia laughs that she "went in on the recorder" at school, before graduating to the clarinet and then the saxophone. It was only when she noticed a certain space and airiness to the demos she had laid down with her band for Odyssey that she became drawn back to the idea of strings.
Denne historien er fra October/November 2024-utgaven av Rolling Stone UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra October/November 2024-utgaven av Rolling Stone UK.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
BACK TO THE GRIND
The Clipse broke up when a spiritual path called to one of the brothers from Virginia. Now, one of the greatest duos in rap returns
THE SCREAM QUEEN NEXT DOOR
In just a few short years, Hunter Schafer has gone from small-town North Carolina to global runways, Euphoria stardom, and her first lead role, in the horror flick Cuckoo
Together in Electronic Dreams
Raphaella Lima of video game publisher Electronic Arts brings music to her childhood love of gaming to spotlight many of the most exciting emerging acts of the past two decades in the hit football game EA SPORTS FC
JAMIE XX WAVE AFTER WAVE
Nine years after his decade-defining debut album In Colour, Jamie xx returns with In Waves, a darker and broodier follow-up that saw him fall back in love with making music
"You can feel trapped when people perceive you as one thing"
On their career-best fourth album, Fontaines D.C. have shed their skin of old to deliver something more fantastical. Grian Chatten tells us the story behind their evolution
IN COMPLETE CONFIDENCE
Confidence Man's Janet Planet and Sugar Bones go bigger and wilder than ever before on 3AM (LA LA LA), an album made about partying, while partying, and perfect for partying to
Collective consciousness
Ezra Collective return with Dance, No One's Watching, the roaring follow-up album to last year's boundary-moving Mercury Prize win
DAYDREAM BELIEVER
Welsh techno-pop artist Kelly Lee Owens is the first signing to Dirty Hit's new dance label, dh2. She talks \"transcending my bullshit\" on the euphoric, thumping club tunes of fourth album, Dreamstate
A BUNCH OF (PRI)MATES
From the story of 'Gary', the title track of Stockport band Blossoms' fifth album inspired by a fibreglass gorilla, to breaking new ground with their own record label and staying friends after 10 years, the tightknit band tell Rolling Stone UK all about it
RULE OF LAWTEY
Stepping up to play a comic-book icon in the big-budget sequel Joker: Folie à Deux could prove a life-changing moment for Industry star Harry Lawtey. But he's trying not to think about it...
