Welcome to Paradise, Twinkle Khanna’s latest book—a collection of short stories—came to life with her daughter sleeping beside her, in a dark room illuminated by a laptop screen. There’s no waiting for the muse for the disciplined Twinkle, who starts writing between 4.30 and 5 am, nearly every day. “You sit at your desk, and if the muse is on their way to someone else, you are right there to catch her and bring her carcass to your desk,” she says. Twinkle’s other writerly hack is to use a terrible font for her first draft—“so I am not intimidated by the idea of perfection at that stage”.
The title may seem breezy, but these are tales from a less than-perfect world, delivered in Twinkle’s trademark wry humour, her “salve over life’s innate calamities” that she employs to such splendid effect in her avatar as celebrity columnist Mrs Funnybones. "The title is subversive; everything that appears idyllic on the surface may have a different reality underneath," she says. "I didn't set out to write stories that dealt with mortality, loss, and love, but there were images floating inside my head like trays of jelly sweets setting on a terrace, or a particular anecdote that then made its way into 'Let's Pretend' about the young, flat-chested girl who gets advice about a vigorous breast massage." The collection has been in the works, on and off, for a while. For instance, Twinkle started writing the story Jelly Sweets' almost eight years ago, and yet it was the last story she completed.
Denne historien er fra January 08, 2024-utgaven av India Today.
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Denne historien er fra January 08, 2024-utgaven av India Today.
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He gave the beat to the world
He would pick up the rhythms of each experience of mobility and weave them into his taals. Thus it was that he reflected joy and laughter in rhythmic cycles...such was the magic of Zakir's fingersText and photographs by Raghu Rai
KERALA TOURISM CAMPAIGN, 1989 - TICKETS TO PARADISE
All it took was a catchy tagline-'God's Own Country'-for the world to discover Kerala's wealth of natural beauty. It remains among the best tourism ad campaigns, earning the state a place among top 10 international destinations
SPIRITUALITY - THE GURUS OF COOL
Among the cult Indian gurus, no one had a bigger hold on western minds than 'Osho' Rajneesh. He's also perhaps the role model for the enterprise-building gurus of today
RETAIL SHOPPING - THE MALL MANIA
Shopping malls, a 1990s innovation in India, changed the way the Indian middle class shops. Their success now lies in being 'shoppertainment' destinations, offering something for everyone
CULINARY RENAISSANCE, 1978 - TANDOORI NIGHTS
ITC's Bukhara and Dum Pukht turned the world to tandoori cuisine and had an enormous impact on the F&B industry. Decades on, they are still a pit-stop for celebrities and heads of state visiting Delhi
INDIAN WRITING IN ENGLISH - REVENGE OF THE NATIVE
Rushdie lit the way but Indian writing in English has taken a life of its own in the past few decades, with translated Indian fiction most recently having its moment in the sun
INDIAN ART - A BRUSH WITH GOLD DUST
The 1990s economic liberalisation came as oxygen, lighting up the Indian art scene. Today, artworks by established masters routinely go for astronomical amounts
FESTIVAL OF INDIA, 1982 - CULTURE CAPITAL
The Festival of India grew into a symbol of our 'soft power', introducing our art and aesthetics to a global audience while also helping rebrand our domestic products
THE INDIPOP TREND - DISCO GOES DESI
For ages, the film song ruled. Nothing else was audible. Then came Nazia, charioteered by Biddu, and Indian ears went into a pleasant madness. Literally, Disco Deewane. A whole genre was born
SHOLAY 1975 - THE BIRTH OF THE FANDEMIC
India had seen hits before. But Sholay seared into its collective psyche like a badland bullet. The effect was on a scale never seen before- one film creating a new mass folk culture. And a trail of monster blockbusters that still continues