The idea that light skin is more beautiful than dark skin is the consequence of colonisation and racist Western beauty norms in many contexts. Mainly, all preferences for light skin have their roots in colonisation. We have to acknowledge how categorisations of racialised beauty have been a tool of colonial violence. My internationally acclaimed photo project, Humanae, rejects a singular understanding of race through skin colour, and highlights how whiteness is also manifested in the pursuit of beauty in relation to facial features. Colonialism has often used the idea of beauty to disguise racial fetishisation, scientific racism and ethnographic profiling.
Beauty is a social construct that functions in a dynamic of comparison with "the other". This search throughout our history tries to reach an ideal that is impossible, and women mostly suffer from this pressure. To grow old becomes a process of deterioration and to be beautiful is to try to reach the impossible. The objective of my work is to generate conversations where we can celebrate that we all have beauty.
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Denne historien er fra March 21, 2024-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee