MORE than ever before, the issue of beauty and desirability in the current appearance-conscious times presents a peculiar conundrum, especially for women. On the one hand, women who obsess with appearance, self-care, and beautification get labelled as attention seekers, flirtatious, or even dim-witted; on the other hand, women who ignore beauty labour and socially prevalent appearance expectations get branded as callous and rejected as 'undesirable' beings.
Even though the irony inherent in this paradox is often overlooked and denied within dominant socio-cultural discourses, one cannot disregard the relevance of the beauty ideal in the lives and identities of almost all women across almost all cultures. This is because women, perhaps since civilisation began, have been scrutinised, branded, punished, or rewarded based on how they look.
Researchers have variously called the importance of beauty the 'aesthetic capital' or the 'erotic capital' that grants women their self-worth in most hetero-patriarchal societies. Given the significance of physical appearance in what philosopher Susan Bordo prophesied to be 'the empire of images,' it is no surprise that women who fall short of conventional beauty standards are both shamed by the world at large even as they themselves internalise a deep sense of worthlessness, self-hatred, and shame.
Undoubtedly, appearance is a prime marker of one's identity. It is the first thing we notice about people. Embodiment, therefore, is not just a biological concept but also a sociopolitical one, which has, over the ages, defined, and even hierarchised various races, ethnicities, classes, genders, communities, age groups, physical abilities, and so on.
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Denne historien er fra March 21, 2024-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee