It’s been a year since we were in Israel, all my family, for a holiday. I am compelled to write now because I just saw videos of a bombed down Gaza. I am looking for the face of my friend Taufiq, who lives in Gaza. I dread seeing his face covered in blood, or his maimed body.
LAST year, we went to visit Bethlehem, the birthplace of Jesus, in the West Bank. Avi, our Jewish guide, said that Israel ended here, and he could not come with us. We were on our own. This brought a thrill as well as fears. We entered a tunnel-like hall with bright white lights, red guidelines and signs in Hebrew and Arabic. I hurried down, my footsteps echoing, my heartbeat loud. I have crossed borders many times—some difficult ones like IndiaPakistan on foot—but this didn’t feel like a border. No one at either end of the tunnel checked our passports or questioned us.
Tall metal gates opened into the West Bank. Narrow roads wound around hills, their limestone slopes swathed with creamy stone buildings. The streets bustled, packed with shops. Men, women and children went about their lives, buying, selling, talking, and laughing. A faded poster on a graffiti wall mentioned a young boy killed in gunfire in 2016. Our taxi sped up and down the hills towards the church where Jesus was born.
John, our Palestinian Christian guide, hummed Hindi songs to make us feel home. He said, “I go to Jerusalem on Christmas.” He didn’t have a permit for other days. The distance between Bethlehem and Jerusalem is 11 km—a border that had let my family through; kept its own people apart.
Denne historien er fra November 11, 2023-utgaven av Outlook.
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Denne historien er fra November 11, 2023-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee