I never really kept anything of mine in that cabin in the old Outlook office building for the 30 months that I was there. I never really thought I belonged there, and that wasn’t because I didn’t want to but because it is difficult for women to own spaces.
The first time I entered the building as an editor, there was a resignation letter waiting, which wasn’t addressed to me. It was because of me. The person said he had more experience and he had been around for more than two decades when I asked him to stay. I said you take the cabin. I felt apologetic about being there.
Perhaps that’s why, for months, the cabin was occupied but never really owned.
The cabin had a window that opened out to a rooftop where broken furniture was piled up to look like a shrine I had seen in a zombie film called Ravenous. That, I found familiar. That’s how I came to AB-10.
Denne historien er fra August 11, 2024-utgaven av Outlook.
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Denne historien er fra August 11, 2024-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee