Cut, Copy, Paste

Representation of Muslim characters in Indian cinema has been limited—they are either terrorists or glorified individuals who have no substance other than fixed ideas of patriotism

- Hajara Najeeb

ONE of the most persistent questions when discussing the interplay of cinema and society is who influences whom— whether the movies merely reflect the already existing socio-political narratives or they play a role in forming their narratives. However, this question does not deny that cinema influences viewers, shapes narratives, and forms opinions.

Cinema, indeed, can be considered the most potent tool in opinion formation, a fact very well known to Nazi propagandist Joseph Goebbels who used it as a medium for the propagation of Nazi ideals and the genocide of Jews in Germany.

Popular cinema’s ability to intrude on the mass psyche is also visible in India, where cricket and Bollywood determine how we think and act. It has determined our idea of nation and nationhood, showcasing characters that an Indian wishes to be. However, Bollywood’s idea of nationhood often replaced ‘Indianness’ with ‘Hinduness’— they often resorted to homogenising the nationhood using one religion by excluding another.

This exclusionary practice against Muslims in Bollywood did not start with the rule of the BJP—it became more direct with their rule. The various symbols, stereotypes, and situations employed in Bollywood movies constantly attempted to ‘other’ the Muslims, thereby reinforcing Hindu nationalist agendas.

The Terrorist, the Patriot, and the Veiled Muslim Woman