JALEGI tere baap ki...- never in one's wildest thoughts or dreams can one imagine Lord Hanuman, a towering figure in the Hindu pantheon, speaking these words. But in a film that liberally uses so-called tapori ('street') language, anything is possible. Pre-release, Adipurush was touted to be an epic cinematic reproduction of the widely-revered Hindu epic, the Ramayana. However, post-release, the film has triggered waves of anger and disgust, not just among the right-wing Hindu audience, but also among liberal followers of the religion who worship the figures of Ram and Hanuman the stand-out characters of the epic-as infallible deities.
Adipurush is a movie which has gone wrong on multiple levels, be it in its intent or its very essence. Torn apart by critics and audiences alike for the shoddiness of the script and the film's 'B-grade' look, the movie, as one critic described it, is "part Planet of the Apes, part King Kong".
Directed by Om Raut with dialogues written by Manoj 'Muntashir' Shukla, the makers of the movie have floundered at every possible step post-release-from justifying the 'cringey' dialogue and then altering parts of it post outrage, to asserting that their film was "not at all based on the Ramayana but was just inspired by the epic," thereby backtracking on how they had initially advertised the film as a retelling of the epic.
Protests erupted on the streets of Maharashtra, Uttar Pradesh, Delhi and other states against the dialogues attributed to the character of Lord Hanuman, as well as Lord Ram's character's 'angry young man' persona, a depiction that is quite at odds with his widely accepted demeanour of being calm and collected. Even the portrayal of the demon king Ravana was a laughable deviation from how the antagonist is usually depicted. His 10 floating heads-a double-decker situation with 5 heads on top of 5 heads-was something no one in the audience would have ever imagined.
Denne historien er fra July 11, 2023-utgaven av Outlook.
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Denne historien er fra July 11, 2023-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee
