WINTER of 2015. It was the first night in the house alone. Once a shared space of togetherness. We had agreed to part ways. I was numb. Sleep was elusive.
The silence of the winter night resounded the silent tears rolling down my cheeks, building up into an uncontrollable sob. I tried to unjumble all I was feeling in the red diary that lay by the bed. Words failed to pour out the weight of my heart in black and white. I cried myself to sleep. It was a long night—the first of many that would follow.
The morning sun was bright. I woke up, ambling around the house scanning for the remains and the traces of another and of what was. The house was half-abandoned. Drawers had been emptied. His books from the shelf, his clothes from the cupboard. Our memories from here on were divided. All packed to move.
I turned to the terrace. The yellow chairs were gone too. He had said, “This will be a reminder of the colour that you are. I am black and white.” The chairs held memories of mundane everyday mornings—our morning chai that he would make, of sipping in silence, of things we said.
Before long, I fell into a howling stupor. Plonked on the heap of brown cartons to pack what remained.
For the six months that followed, I slept on my red couch in the living room. I had abandoned my bedroom. It was an in-between place. The house became a space I escaped. I would aimlessly drive around. Blaring songs of love and loss, blurry eyed with bleeding tears, drowning in the sound of the music and the whirring engine. Even in the house of bleakness, the lingering fragrance of flowers remained. I continued to buy white fragrance for myself.
Denne historien er fra August 11, 2023-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra August 11, 2023-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee