'GODMEN' talk even when they're quiet. Sometimes, they don't even need to talk-they sing, they dance, they perform. Sometimes, they just sit and gold dust falls. Babas are not just the new gods; they're the new heroes, directors, choreographers: dancing themselves and making others dance.
A few decades ago, such figures usually wore saffron robes, but now they're more specific, as if fulfilling both a Job Designation (JD) and creating their own brands. Compare this group to the superheroes in The Avengers universe whose 'JDs'-and costumes-make them unique. Or, like cartel members' tattoos, godmen's clothes-sometimes names-signify their essence and sharpen their identities.
Consider Gurmeet Ram Rahim Singh Insan, whose Dera Sacha Sauda (DSS) attracted many Dalits to the organisation. They joined it believing a non-Hindu organisation would liberate them from the tyranny of the caste system. And if they still harboured any doubt, then the word "Insan" resolved it all: a place for anyone and everyone. So, when it comes to babas, if the question is 'what's in a name?', then the answer is another question: How about everything?
Colour psychology, too, plays a crucial role. If filmmakers deploy it to elicit emotional responses-most notably evident in Krzysztof Kieślowski's Three Colours trilogy-then marketing professionals use it to distinguish brands and influence consumers. The spiritual screenwriters, babas, rely on it for similar ends: establishing personas, conveying messages, selling products. They also sell faith, or hope, in a country devoid of a sustained welfare state. When the government receded, creating a void, the babas stepped in, functioning as a protector, therapist, father, doctor, rehab, God. This space is as competitive as ever, compelling godmen to adopt creative means to stand out and build their brands.
Denne historien er fra August 01, 2024-utgaven av Outlook.
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Denne historien er fra August 01, 2024-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee