IN the past month, journalists from media powerhouses like the BBC, The Washington Post, Reuters, and the LA Times have raised their voices against the “dehumanising rhetoric” used in media against Palestinians and the bias in reporting of the ongoing Israel-Palestine war. One characteristic that has defined the approach of many western media outlets covering the war has been a complete lack of context. Most do not mention the sustained Israeli occupation of Palestinian lands, Israel’s violation of multiple international laws, and the everyday violence and subjugation of Palestinian people that have been ongoing for the past 70 years. This points to a larger question of bias in media representations and its inextricable connection with the politics of language.
Linguistic bias is an often-ignored way in which such biases become evident. It refers to the asymmetrical use of words or phrases to describe one community in a way that reveals conscious or unconscious prejudice. For instance, across multiple media outlets, words like “atrocity”, “brutal murder” or “massacre” are reserved for referring to Israeli deaths—an observation that a study of BBC articles affirmed back in 2011. Israeli victims are described as “brutally killed by Hamas” whereas Palestinian victims “die” as “collateral damage” in “zones of conflict”. Headlines refer to buildings “collapsing” in Gaza without any mention of the Israeli airstrikes that have destroyed them. Such euphemisms misrepresent the state of the war and hide the extent of damage that Israel has caused in Gaza.
Denne historien er fra December 21, 2023-utgaven av Outlook.
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Denne historien er fra December 21, 2023-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee