In Mrs. America, a mini-series documentary from 2020, a group of actors come together to recreate the debates and discussions around the ratification of the Equal Rights Amendment (ERA) in the US. As the deadline looms for its ratification, the debate is hotting up, with women from across the country pushing for the required number of states—38, a two-third majority, the figure needed for the ERA to be written into the Constitution—as well as the Opposition, often made up of conservative women.
In the end, feminists do not win the battle, and the deadline expires (subsequently, in real life, the battle did get ‘won’ later and 38 states signed, making the era part of the American constitution, but the documentary ends before that time), and there is despair and defeat among the feminists.
This happens in the early 1970s, and the extended deadline for the ratification takes us to the early 1980s. This is a time when women’s issues are predominant on the international horizon—countries are preparing shadow reports to be presented to the United Nations, International Year of Women is being planned, major conferences are in the offing and feminist movements across the world are coming into their own.
But in the US, the country that is seen, and indeed that sees itself, as the epitome of ‘development’ and freedom, many states are still not willing to sign a simple statement that speaks of women’s equality.
In India, these were the years of the Emergency, a time when the women’s movement began to come into its own, and India produced what is now seen as a landmark document that acts as one of the catalysts for the women’s movement, Towards Equality: The Report of the Committee on the Status of Women (1974-75). There were signs that change was on its way and that the gains women were making internationally and in their own contexts would not be reversed.
Denne historien er fra November 11, 2024-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent ? Logg på
Denne historien er fra November 11, 2024-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
Allerede abonnent? Logg på
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee