THE brutality of rape and murder elicits a reaction that is not only ethical and political in nature. It also evokes a response that is deeply aesthetic. By aesthetic I mean that visceral reaction to the visual and sensory reality of the crime. The pall of violence across the body, the blood around the eyes, the decimation of limbs. The brutal nakedness of it all, the pair of jeans flung to the side. At the juncture of the aesthetic and the political is the corrosive reality of violation done to a woman, invoking the dark and primitive memory of civilisation, where male power has repeatedly etched itself through scars on the woman's body and soul.
The reality of this violence is so overwhelming that it cannot but take over the narrative around it. Indeed, our very humanity is in doubt if we cannot be stunned, shocked, and inflamed as a nation at this violence done to a woman. But this outrage has also done the job of shifting focus from what goes far beyond this single incendiary incident. It is something with a longer and colder history, and a chilling and inescapable geography.
This is the reality of the corruption of medical education in the state of West Bengal. Perhaps of corruption on the whole in the state, and perhaps of the corruption of medical education nationwide too. But we will never get anywhere if we see the problems as a gigantic, endless black hole. It will swallow us and leave us listless, dead. We need to focus on the very specific web of corruption whose reality was bared by this grotesque crime. And while we explode with rage at the violation and its grotesquerie, it's crucial that we don't lose sight of the great network of crime that has taken hold of the state, made bold by the championship by a government of nightmarish corruption.
Not least because this is exactly what the perpetrators of the crime wanted-to be so shocked by the immediate so as to lose sight of the larger, well-oiled machinery behind it.
Denne historien er fra September 1, 2024-utgaven av Outlook.
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Denne historien er fra September 1, 2024-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee