THERE is a famous dictum that argues that history is written by the victors. But that is utterly untrue. The vanquished have also written history. The question to resolve is not who writes the history, but who teaches it. If we follow the model that there are always two sides to each issue, we know that each side will put forward a specific context to fit their desired narrative. A false context becomes a pretext for explaining, and sometimes justifying, episodes of history or present-day conflicts. We must therefore understand that there is a right to present a context to a conflict, but there is never a context that can explain or justify atrocities and crimes against humanity. Never will the vanquished resort to crimes against humanity, for those crimes will be the source of their eternal vanquishing. The vanquished will one day triumph, but only if the human likeness of their struggle is held firm in the winds of history.
All nation states that exist today are founded on the perceived inherent rights conferred to shared ancestral commonalities. Those ancestry attributes can be biological, historical or simply political, but what all of them share in common is the manipulative illusion that ancestry determines the present and the future. A blood ethnicity is a biological fact that is as relevant to shared communal experiences as would be body weight or a preference for red wine over Goan feni. We would certainly not think of creating a nation-state on the basis of shared weight and vinophile predilections. We prefer to use blood referents and historical narratives to designate national groupings and assert territorial claims. Sometimes it is a shared religion that prompts us to gather as a nation and separate ourselves from others who do not belong to the beloved faithful.
Denne historien er fra 01 November 2023-utgaven av Outlook.
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Denne historien er fra 01 November 2023-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee