Sita ke sakala dekhi jakhati jana kari
Si Sita bheli byahana jo gayo hariyargo
Bara bhamanani payela dhanusha ke dela utha gaye ho
Desha hi dhesh ke Ram ni loka ela dhanusha ke chubi chubi jaye ho
Desa baithela Sita dharma pukarti jodhe ji ta to bhaga manayo
When King Janak sees his daughter Sita's face
He realises ruefully that his daughter is of marriageable age
The big palace is being cleaned with green cow dung
And the bow has been kept against the wall
Beautiful people from across kingdoms come, but can only touch the bow
Sita sits and prays, wondering who is fated to be her partner
SHANTI Devi begins the story of Sita insisting that she encompasses the struggles of women and to see her and paint her life is to free themselves from the gaze so omnipresent that one must remind the world that she wasn't just the wife of Ram but a woman in her own right who was also an ecofeminist. Padma Shri Shanti Devi, an expert in Mithila painting and Godna art, hails from Laheriya Ganj in Madhubani, Bihar.
She was at the Bihar Museum as part of a contingent of 30 artists from Bihar who were to paint scenes from Sita's life as part of the Vaidehi Sita art camp cum exhibition held in Patna from July 31 to August 7. In the scene that Shanti Devi was painting, Sita was sitting in Ashok Vatika, amid lush green trees, birds and animals, and Hanuman was giving her a ring.
Shanti Devi wasn't allowed for a long time to paint gods and goddesses as she belongs to the Paswan community, also known as Dusadh a Mahadalit community in Bihar.
Denne historien er fra August 21, 2024-utgaven av Outlook.
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Denne historien er fra August 21, 2024-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee
