IT was May 2004. In the power corridors of Delhi, even the whispers were loud—‘Will the Congress be able to form the government? Will it be stable enough to survive for five years?’ The numbers were telling difficult stories and the most common words discussed in middle-class drawing rooms and on television channels were—‘coalition dharma’ and ‘coalition compulsion’.
Debunking exit poll predictions, the Sonia Gandhi-led Congress managed to get 145 seats, but the BJP was not too far behind with 138 seats. However, what made the difference was the numbers of the alliance partners. With the RJD, the DMK and the Left on its side, the Congress-led UPA was all set to form the government but with a caveat: the ‘common minimum programme’.
It has been twenty years since. But history has repeated itself. If not literally, at least symbolically, there are a few uncanny similarities. As in 2004, this time too, the exit polls failed to predict the numbers. Interestingly, the BJP is banking on parties like the JD(U) and the TDP—the same parties that Atal Bihari Vajpayee tried to woo in 2004—to form the government.
Though the NDA has been in power since 2004, its allies never had much of a voice or the capacity to influence policy decisions. And whenever there was any discontent over any policy issue, the partners had no option but to part ways.
The first ally that the BJP lost even before the party came to power with Modi as the PM was Nitish Kumar. This was the beginning of Kumar’s many flip-flops. He opposed Modi’s selection as the Prime Ministerial candidate. However, later, he continued jumping boats until recently when he surprised everyone by re-joining the NDA amid speculation that he could be the potential face of the INDIA bloc.
Denne historien er fra June 21, 2024-utgaven av Outlook.
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Denne historien er fra June 21, 2024-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee