THE morning of the fourth of June found India’s non-bhakt citizens curled in a fetal position. Braced against news of the four-hundred foretold by the exit polls, sapped by a decade of electoral defeats, they had decided not to suffer the drawn-out torment of a televised count. Better to get the bad news all at once when the counting was done.
Then the WhatsApp messages beeped in. “Oye, are you watching?” “Watch, na!” “Arrey, it’s mad.” For me, it was my daughter in Brooklyn. She sent me a screenshot of a docile television channel’s early leads. The pixelated numbers on my phone’s screen were so unlikely that they seemed a cross-connection to an alternate India, a leak across the metaverse. Hooked, I turned the TV on. The rest is history.
The largest effect of Narendra Modi’s comprehensive failure to win a majority for the Bharatiya Janata Party (BJP) was psychological. Over a decade, the pan-Indian invincibility of the BJP led by Modi had congealed into a given. Over an extraordinary electoral career, Modi had always won a majority for the BJP in every election he had contested, both provincial and national. This aura of an all-India juggernaut immune to both disasters like demonetisation, and defeats in provincial elections in Bihar and Karnataka, had demoralised the BJP’s opponents in politics and civil society.
It had become hard to read the daily newspaper because the political flux that livens up the news had been stifled by the BJP’s iron grip on politics and political discourse. The 24x7 ‘news channels’ had been unwatchable for years, fronted by death-eater anchors with advanced degrees in performative sycophancy. Absurd though they were, they reigned unchallenged, as the rare island of dissent like NDTV was neutered through acquisition.
Denne historien er fra June 21, 2024-utgaven av Outlook.
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Denne historien er fra June 21, 2024-utgaven av Outlook.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee