WHO was the cinematographer who shot Deewaar with that grim, moody and intense tone to match Amitabh Bachchan’s simmering volcano? Who filmed the breathtaking vibrance of Silsila, the poetic intensity of Kabhi Kabhie, and captured the soot and grime of Kaala Patthar? Almost all of Yash Chopra’s most riveting films from Ittefaq to Deewaar to Trishul to Daag credited one man as Director of Photography (DOP): Kay Gee. That’s an odd name. The Internet reveals next to nothing about him. Yash Chopra’s biography contains references to Kay Gee but never wonders what his real name might be. The Yash Raj Films website lists Raju Kaygee, Kay Gee’s son, who is a DOP himself and has been a part of Dilwale Dulhania Le Jaayenge (1995) and Yeh Dillagi (1994), among other films. After knocking on several doors, it was veteran filmmaker Ramesh Talwar who helped me to get in touch with Raju Kaygee. Finally, the name of Yash Chopra’s most prolific cinematographer was revealed: Kamalnath Ganpatrao Korgaonkar, Kay Gee (KG) for short.
Denne historien er fra April 01, 2024-utgaven av Outlook.
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Denne historien er fra April 01, 2024-utgaven av Outlook.
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Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee
