WHO was the cinematographer who shot Deewaar with that grim, moody and intense tone to match Amitabh Bachchan’s simmering volcano? Who filmed the breathtaking vibrance of Silsila, the poetic intensity of Kabhi Kabhie, and captured the soot and grime of Kaala Patthar? Almost all of Yash Chopra’s most riveting films from Ittefaq to Deewaar to Trishul to Daag credited one man as Director of Photography (DOP): Kay Gee. That’s an odd name. The Internet reveals next to nothing about him. Yash Chopra’s biography contains references to Kay Gee but never wonders what his real name might be. The Yash Raj Films website lists Raju Kaygee, Kay Gee’s son, who is a DOP himself and has been a part of Dilwale Dulhania Le Jaayenge (1995) and Yeh Dillagi (1994), among other films. After knocking on several doors, it was veteran filmmaker Ramesh Talwar who helped me to get in touch with Raju Kaygee. Finally, the name of Yash Chopra’s most prolific cinematographer was revealed: Kamalnath Ganpatrao Korgaonkar, Kay Gee (KG) for short.
Denne historien er fra April 01, 2024-utgaven av Outlook.
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Denne historien er fra April 01, 2024-utgaven av Outlook.
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Trump's White House 'Waapsi'
Donald Trump's victory in the US presidential election may very well mean an end to democracy in the near future
IMT Ghaziabad hosted its Annual Convocation Ceremony for the Class of 2024
Shri Suresh Narayanan, Chairman Managing Director of Nestlé India Limited, congratulated and motivated graduates at IMT Ghaziabad's Convocation 2024
Identity and 'Infiltrators'
The Jharkhand Assembly election has emerged as a high-stakes political contest, with the battle for power intensifying between key players in the state.
Beyond Deadlines
Bibek Debroy could engage with even those who were not aligned with his politics or economics
Portraying Absence
Exhibits at a group art show in Kolkata examine existence in the absence
Of Rivers, Jungles and Mountains
In Adivasi poetry, everything breathes, everything is alive and nothing is inferior to humans
Hemant Versus Himanta
Himanta Biswa Sarma brings his hate bandwagon to Jharkhand to rattle Hemant Soren’s tribal identity politics
A Smouldering Wasteland
As Jharkhand goes to the polls, people living in and around Jharia coalfield have just one request for the administration—a life free from smoke, fear and danger for their children
Search for a Narrative
By demanding a separate Sarna Code for the tribals, Hemant Soren has offered the larger issue of tribal identity before the voters
The Historic Bonhomie
While the BJP Is trying to invoke the trope of Bangladeshi infiltrators”, the ground reality paints a different picture pertaining to the historical significance of Muslim-Adivasi camaraderie
