IN EARLY JANUARY, PRESIDENT JOE BIDEN called a Cabinet meeting in the West Wing of the White House. Over the holidays, a wave of flight cancellations by Southwest Airlines had left thousands of Americans stranded at airports for days. The face of the government response on cable news had been Biden's Transportation Secretary and onetime rival for the Democratic nomination, Pete Buttigieg, who had been one of the Administration's most visible talking heads for months. Multiple clips of Buttigieg holding his own against combative anchors had gone viral. When Biden saw Buttigieg, the President flashed his unnaturally white teeth.
"Hey, TV," Biden tossed at Buttigieg, say two people familiar with the meeting. It was a targeted jibe. Officials in the room saw it as a good-natured reminder to Buttigieg that while it was his job to be out in front of a bad news cycle, he was representing Biden, not himself.
The subtle moment spoke volumes about how Biden has managed to clear the field for a re-election bid that many in his party never wanted. A year ago, the conventional wisdom was that Biden might run again, but that he would have to fend off serious challengers in a contested primary, including possibly figures from within his own Cabinet.
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Denne historien er fra May 08 - 15, 2023 (Double Issue)-utgaven av Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
J.D. Vance's juggling act
Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
The hunt for life on a moon of Jupiter begins
NEARLY HALF A BILLION MILES FROM EARTH, A WORLD may be stirring.
