IN THE OFFICE OF ANDRIY Smyrnov, the deputy head of Ukraine’s presidential administration, the wanted posters spread across the desk serve as a kind of mission statement. They show the faces of five Russian officials, led by President Vladimir Putin, next to a list of the charges Ukraine has leveled against them: aggression, war crimes, crimes against humanity. “We had these printed as a reminder,” Smyrnov says while pacing around his desk on the third floor of the presidential compound, one floor down from the chambers of his boss, President Volodymyr Zelensky. “There’s no alternative to putting Putin on trial,” he says.
The question is where, and under whose authority. As the top aide to Zelensky on judicial matters, Smyrnov, 42, has spent the past year charting a path to an improbable destination: a courtroom, somewhere, with Putin in the dock. Every step has been painstaking, with Ukraine’s closest allies often blocking the way. But Smyrnov, who has no experience in international law, has made surprising progress. Last fall, he says, “nobody even wanted to talk to us about a tribunal. Now look at how quickly the civilized world is waking up.”
On March 16, investigators working with the U.N. Human Rights Office reported that Russian forces had committed crimes against humanity, a rare rebuke from a U.N. body against a sitting member of the U.N. Security Council. The following day, the International Criminal Court in the Hague (ICC) issued a warrant for Putin’s arrest, charging him in connection with another alleged war crime: the mass deportation of Ukrainian children to Russia. Less than two weeks after that, the U.S. set out a plan to put Putin on trial for the crime of aggression, which some scholars describe as the root of all war crimes.
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Denne historien er fra April 10 - 17, 2023 (Double Issue)-utgaven av Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
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