WE FIND OURSELVES, AS A NATION, IN A nauseating position.
In the hours before Memphis police released video of the beating death of Tyre Nichols, a 29-year-old Black man, cable-news anchors, filling some of their copious time, spoke of the police footage as “hours away from release,” “soon to come,” and with other terms typically reserved for sporting events, major political speeches, and moments of scandal. The city, newscasters said, was on edge. Memphis’s Black female police chief, Cerelyn Davis, and surrounding Shelby County’s District Attorney Steve Mulroy, a white man and Democrat, have been lauded for their comparatively swift, decisive action. Before footage of the beating was released, the five Black officers involved in Nichols’ Jan. 7 beating were fired and indicted on multiple charges including official misconduct and oppression, second-degree murder, aggravated assault, and aggravated kidnapping. In the hours and days after its release, two more police officers and two sheriff’s deputies were suspended, at least one of whom is white. And three EMTs, two Black and one white, were also fired. Davis described the contents of the tapes as revolting, reflecting a disregard for human life.
Denne historien er fra February 13 - 20, 2023 (Double Issue)-utgaven av Time.
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Denne historien er fra February 13 - 20, 2023 (Double Issue)-utgaven av Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
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Fear in Lebanon, and a new front
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The hunt for life on a moon of Jupiter begins
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