IT WAS A SUNDAY MORNING IN EARLY FEBRUARY IN MADRID, and Spain’s Minister of Equality was on a war footing. Having eschewed business attire for the occasion, Irene Montero rose on sneaker-clad feet from her seat onstage at a local cultural center and addressed her supporters. A key reform on sexual violence that her ministry had spearheaded was under attack, and the meeting was intended to rally the troops from Unidas Podemos, the progressive political party that she helps lead and which, along with the Socialist Party, has formed Spain’s coalition government since January 2020. “This law is more than just a law,” she said. “It’s a process of democratizing society. It is not the ministry’s law, or the government’s, or the parliament’s. It is the law of the women of this country.”
Spain is at an inflection point on gender. Since Montero became Minister in 2020, a nation that not 50 years ago required women to obtain their father’s or husband’s permission in order to work has consolidated its position among Europe’s most feminist countries. Her ministry has taken measures to combat rising rates of domestic violence, introduced legislation that extends LGBTQ rights, protects reproductive health—including guaranteeing menstrual leave—and makes consent the determining factor in cases of sexual assault. In December, it also approved the so-called Trans Law, which allows people to declare their own gender, rather than requiring a diagnosis of dysphoria.
Denne historien er fra February 07 - March 06, 2023 (Double Issue)-utgaven av Time.
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Denne historien er fra February 07 - March 06, 2023 (Double Issue)-utgaven av Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
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