This is the irony that drives Love & Death, creator David E. Kelley's empathetic HBO Max docudrama based on the true tragedy that befell two young, churchgoing couples raising families in small-town Texas in the late 1970s. When starry-eyed Candy Montgomery (Elizabeth Olsen) talks pragmatic Allan Gore (Jesse Plemons) into having an affair with her, over the course of many anxious "strategy sessions," the lovers-to-be agree: neither of their spouses, especially Allan's psychologically fragile wife Betty (Lily Rabe), can ever find out about them. They set up rules, meeting only on weekdays, at an out-of-town motel. Candy packs them a meal to share, in order to conserve time on Allan's lunch breaks. As adultery goes, it's all kind of adorable-until it really isn't.
If you followed the media-magnet case as it unfolded, or watched last year's Hulu miniseries on the same subject, Candy, which contains many of the same dramatized scenes, then you already know that Betty Gore died on June 13, 1980, and that Candy stood trial for her murder. Considering how much exposure this story has already gotten, it makes sense that Kelley, in his best show since Big Little Lies, shows little interest in the investigative aspects of the story. In a corrective to rampant true-crime sensationalism, Love & Death paints a portrait of regular, unmalicious people trapped in a terrible predicament that they set into motion but do not, perhaps, deserve.
OLSEN'S CANDY IS a complicated woman. Beloved in her community and active in her church, the extroverted stay-at-home mom is languishing in her marriage, to quiet engineer Pat (Patrick Fugit). Her only outlet, aside from frank conversations with her dear friend and pastor, Jackie (Elizabeth Marvel), is a writing workshop. So when Allan-dorky, doughy Allan accidentally knocks her down, then gently helps her up, at a church volleyball game, Candy spins herself a fantasy.
Denne historien er fra May 08 - 15, 2023 (Double Issue)-utgaven av Time.
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Denne historien er fra May 08 - 15, 2023 (Double Issue)-utgaven av Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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THE NEW APPRENTICE
J.D. Vance's juggling act
Fear in Lebanon, and a new front
FIRST, ON SEPT. 17, THERE WERE exploding pagers.
The hunt for life on a moon of Jupiter begins
NEARLY HALF A BILLION MILES FROM EARTH, A WORLD may be stirring.
