THE IMAGE ONSCREEN APPEARS JUST AS IT DID in a 17-year-old Luca Guadagnino's mind: as an infatuated man gazes at his object of desire, a translucent, almost ghostly version of his hand reaches out to stroke the face of his unwitting beloved. The words that inspired this image-ectoplasmic fingers and a phantom thumb-were written by William S. Burroughs in his 1985 semi-autobiographical novella Queer, which Guadagnino, now 53, read as a "solitary young man" in Palermo, Italy. He began work on an adaptation at 21, years before he'd direct his first feature film in 1999. Making Burroughs' description come to life was "simple," something out of the "old days" of cinema, the director says. "It's superimposed, but it's very strong," he adds.
With Queer, opening Nov. 27, Guadagnino has achieved not quite the impossible but the unlikely: he's rendered Burroughs' freewheeling prose into a coherent film. Set in early-'50s Mexico City, Queer follows Burroughs' literary alter ego William Lee (played by a multivalent Daniel Craig) as he pursues a younger man, Eugene Allerton (Drew Starkey), who seems impenetrable until he's not. The courtship takes them into the wilds of South America and finds Lee blazed on alcohol, heroin, and psychedelics. The book is a sequel to 1953's Junkie and went unpublished for decades. Craig's performance is big, sometimes explosively so, and requires not only affected charm, but also deep sadness, the physical turmoil of opiate withdrawal, and some bumbling in the jungle. "We all were exhausted by the end," said Craig. "We were all just hanging in rags by the time we finished."
Denne historien er fra December 09, 2024-utgaven av Time.
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Denne historien er fra December 09, 2024-utgaven av Time.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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An exuberant ode to human possibility
VERY RARELY DOES THE RIGHT MOVIE ARRIVE AT precisely the right time, at a moment when compassion is in short supply and the collective human imagination has come to feel shrunken and desiccated.
Broadcasting a crisis for the world to see
ON SEPT. 5, 1972, A 32-YEAR-OLD PRODUCER NAMED Geoffrey S. Mason was working in a control room for ABC Sports in Munich while 12 hostages, including several members of the Israeli Olympic delegation, were being held in a building nearby.
The Power of the Peer
WITH MENTAL-HEALTH CARE IN SHORT SUPPLY, CAN REGULAR PEOPLE FILL THE GAP?
QUEERING THE STORY
Luca Guadagnino directs Daniel Craig in an adaptation of William S. Burroughs' 1985 novella Queer
Shopping under the influence
LTK CO-FOUNDER AMBER VENZ BOX SAW THE FUTURE OF RETAIL. IT TOOK YEARS FOR THE REST OF THE WORLD TO CATCH UP
The Kingmaker
Elon Musk's partnership with the President-elect
Turkey's Erdogan plots his next power grab
RECEP TAYYIP Erdogan is a political survivor.
Why maiden names matter in the age of AI and identity
IN THE DIGITAL AGE, A NAME IS MORE THAN JUST A label. It's tied to our professional history and social media presence.
The D.C. Brief
INSIDE DONALD TRUMP'S ORBIT, it's become a given that the former and future President can bypass Congress to magically fill his Cabinet with the loyalists of his choosing.
Let's embrace vulnerability in dating
AS A DATING COACH AND THE DIRECTOR OF RELATIONship science at Hinge, I often hear from people who feel like there's something big they need to disclose on early dates-chronic illness, mental-health struggles, college debt, family estrangement, lack of romantic experience, or trauma.