Pulse nightclub embodied that for me. After packing two suitcases and running away to the refuge of Orlando, I found what I had been looking for. The spinning disco balls dared all of us to dance like no one was watching. The beats radiating from the floorboards unearthed our authenticity, nudging us into rhythmic protest against a world that had always told us to uncross our legs, stiffen our wrists, and deepen our voices. Inside those walls, we were normal.
When I close my eyes at night, I can remember the moments when that normal shattered into a million shards on June 12, 2016. I can feel it, hear it, see it. The vibrant poster above the urinal. The cup teetering on the edge of the sink, perched precariously as if it might tumble to the tiles below. The first cracks of gunfire from an assault rifle. The stench of blood and smoke wafting into the room.
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Denne historien er fra June 12, 2023-utgaven av Time.
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Kate Winslet Puts Lee Miller in the Frame - Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them.
Kate Winslet loves tables. She loves them so much that the Oscar-winning actor collects them. There is nothing fancy about these antiques, but they enchant her. "It's the knots and the whorls, the shape and feel," she says. "They can feel like old friends, and there is something emotionally charging about an old table that comes with a history-I find imagining what that might be enormous fun."
Alfonso Cuarón Goes Long - The Oscar-winning filmmaker finds pathos in our lonely present in his first TV miniseries
A perceptive, generous-spirited child draws on her imagination when she's subjected to the cruelty of a boarding-school headmistress. A lone astronaut, cradled in a damaged space capsule and having lost any hope of returning to Earth, experiences a hallucination that saves her life. A young household servant, abandoned by the man who's gotten her pregnant, miscarries-though his betrayal helps her define what family truly means to her. Loneliness, so universal it has virtually become trademarked the Human Condition, is everywhere in art, and in life: we tend to fetishize it, or at least dab it with a perfume of sentimentality. But Alfonso Cuarón, now more than 30 years into a wide-ranging career that spans pictures like the Frances Hodgson Burnett adaptation A Little Princess, the space reverie Gravity, and the memoir-as-film drama Roma, is more interested in subtle emotional textures, in gradations of feeling that are always specific to the character at hand yet also joltingly recognizable. And now he brings his big-screen, big-story gifts to a limited series, an adaptation of Renée Knight's 2015 psychological thriller Disclaimer.
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