Holland is matched by Francesca Amewudah-Rivers as a fiercely still and sardonic Juliet.
Their shared triumph in a sold-out show is the best revenge on cowardly online racists who criticised their pairing. Holland’s Romeo starts off boyish and ends up f l inty and bruised. Amewudah-Rivers’s Juliet is smarter and more serious than him and he knows it. They’re the most spellbinding starcrossed lovers I’ve seen in years.
Lloyd’s production is characteristically stark and bracing. The action is sliced, diced and interspliced into a brisk two hours, laced with occasional anachronisms, blinding lights and jagged bursts of industrial music.
There’s no set apart from a mesh wall, a video screen and a big sign saying “VERONA”. The actors wear monochrome jeans, jackets and hoodies and speak their lines with icy clarity through microphones on stands or taped to their cheeks.
Denne historien er fra May 24, 2024-utgaven av Evening Standard.
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Denne historien er fra May 24, 2024-utgaven av Evening Standard.
Start din 7-dagers gratis prøveperiode på Magzter GOLD for å få tilgang til tusenvis av utvalgte premiumhistorier og 9000+ magasiner og aviser.
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